Photo by Ken Sears
Like just about everyone, I absolutely adored "Foundations" when it came out in 2017. At that point, I was more of a casual Kate Nash fan, and she admittedly fell off my radar shortly after that. Earlier this year, it was announced that she had signed to Kill Rock Stars. Being a 90's indie rock snob, that got my attention and I checked out 9 Sad Symphonies. That was excellent enough to get me to dive deeper into her catalog, and became more of a fan. Seeing as she was playing Crystal Ballroom at Somerville Theater, I knew I simply could not miss the show.
Any expectations I had for Kate Nash's live show were blown away by actually seeing her perform. Nash attacked that stage with an energy usually reserved for hardcore bands. She barely stood still for the first five or six songs as she bounded across the stage. For "Misery," she hopped off the stage and into the crowd for basically the entire song. Her energy was matched by her band, who played somewhere between indie rock and heavy metal style behind her. I sincerely don't know if I've ever watched anyone have as much fun onstage as Nash did Tuesday night. Even the more cliche moments (such as having the crowd wave an arm back and forth) seemed completely genuine coming from Nash.
Musically, the band was fantastic. They played a much noisier style than I expected, and I have my own theory that they're the Kill Rock Stars house band on loan for the tour. The set was unexpectedly heavy on feedback, and was more of a rock show than the pop show I assumed I'd see. Nash also moved between playing bass and acoustic guitar when she wasn't running across the stage.
Photo by Ken Sears
I do have to mention the audience at Crystal Ballroom. Kate Nash might have the best fans in music. Every single person I interacted with was in a great mood and completely pleasant. Everyone was there to have fun, and they all did. Sing-a-longs were quite prevalent, especially on a song like "Dickhead." The Kate Nash led "My Little Alien" was possibly the most fun and involved sing-a-long I've ever been a part of. This was a crowd made up of diehard Kate Nash fans, and those about to become diehard fans. And, yes, the crowd exploded for "Foundations." It is a great song, after all.
Shamir opened the show solo, and definitely had his own fans. He played a solid acoustic set of originals and a cover of Peter, Paul and Mary's "500 Miles." Shamir's style is typically more eclectic and electronic based, so it was interesting to see such a stripped down version of the artist. It was enough to have me intrigued to see a full set of his.
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