Showing posts with label the beths. Show all posts
Showing posts with label the beths. Show all posts

Wednesday, June 17, 2020

The Beths - "Out of Sight"

Photo by Maison Fairey
It's no secret that we're huge fan of The Beths here at If It's Too Loud... They play a modern 90's infested version of alt-power pop that hits just about everything we need out of music. Their latest single, "Out of Sight," is especially a delight. Sure, it has what we want out of a song from The Beths. Plenty of fuzzed out guitars, almost unbearably catchy, and lyrics bordering on too personal. But one unexpected aspect of "Out of Sight" is how gorgeous it is, which is something rarely said of songs that aren't ballads. 

Elizabeth Stokes says of the song: The band playing on ‘Out Of Sight’ is more fragile than we usually allow ourselves to be. We are trying to listen more deeply and be more open ended, it was confronting to do and sometimes even frustrating. But it came out great, Ben’s bass playing especially is beautifully melodic and gives the song a unique texture."

You can watch the video for "Out of Sight" below. Jump Rope Gazers, the upcoming album from The Beths, will be out July 10 on Carpark Records. You can pre-order a copy here. For more on The Beths, check them out on Facebook and Twitter. Current tour dates are below the video. (Europe, New Zealand, and Australia, so these could actually happen...)



Sat. July 11 - Auckland, NZ @ Power Station
Sun. Nov 8 - Perth, WA @ HBF Park*
Wed.  Nov. 11 - Melbourne, VIC @ Marvel Stadium*
Sat. Nov. 14 - Sydney, NSW @ Bankwest Stadium*
Tue. Nov. 17 - Brisbane, QLD @ QSAC Stadium*
Fri. Nov. 20 - Dunedin, NZ @ Forsyth Barr Stadium*
Sun. Nov. 22 - Auckland, NZ @ Mt Smart Stadium*
Tue. March 30 - Southampton, UK @ The Loft
Wed. March 31 - Leeds, UK @ Brudenell Social Club
Thu. April 1 - Manchester, UK @ Club Academy

Fri. April 2 - Glasgow, UK @ Saint Luke’s
Sat. April 3 - Dublin, IE @ The Workman’s Club
Mon. April 5 - Bristol, UK @ SWX
Tue. April 6 - Birmingham, UK @ Castle and Falcon
Wed. April 7 - London, UK @ O2 Kentish Town
Thu. April 8 - Brighton, UK @ Concorde 2
Fri. April 9 - Paris, FR @ Point Éphémère
Sat. April 10 - Lyon, FR @ Marché Gare - Hors les murs
Sun. April 11 - Milan, IT @ BIKO
Tue. April. 13 - Düdingen, CH @ Bad Bonn
Wed. April 14 - Lausanne, CH @ Le Romandie
Thu. April 15 - Munich, DE @ Kranhalle
Fri. April 16 - Vienna, AT @ B72
Sat. April 17 - Prague, CZ @ Underdogs' Ballroom
Sun. April 18 - Belin, DE @ Lido
Tue. April 20 - Copenhagen, DK @ Vega Ideal Bar
Wed. April 21 - Hamburg, DE @ Molotow
Thu. April 22 - Cologne, DE @ Artheater
Fri. April 23 - Amsterdam, NL @ Paradiso Noord
Sun. April 25 - Brussels, BE @ Ancienne Belgique
 
*w/ Green Day, Weezer and Fall Out Boy

Wednesday, May 13, 2020

The Beths - "I'm Not Getting Excited"

Photo by Maison Fairey
We've been gigantic fans of The Beths for a while here at If It's Too Loud... Their blend of 90's inspired indie rock but on the pop side of things just hits us perfectly. Their latest single, "I'm Not Getting Excited" ratchets up the indie rock side of things a bit more than usual, so I for one am even more on board! "I'm Not Getting Excited" starts off with a fuzzed out guitar riff that drones on for maybe too long, maybe just the exact perfect length of time. (Spoiler: It's perfect). Other instruments seem to come in more slowly on their own time until this fully formed rock song just takes over, but, since this is still The Beths, it's filled with undeniably catchy pop hooks. 

Elizabeth Stokes (vocals/guitar) says of the song:

People always ask ‘are you excited!?’ and it's a fair question, because exciting things do happen to us sometimes. Support slots, overseas tours, music releases. Stuff we've dreamed about for years. So the correct answer is always ‘yes.’ But the truth is that deep down there's a tiny Liz saying, ‘don't get excited.’ She is certain that anything good that could happen will most likely not happen, because of a freak accident. Or because somebody finally realises that we aren't worthy, shouts ‘phony!’ and takes everything awayI wrote 'I'm Not Getting Excited' last year, well before everything really did get taken away. From everyone. It feels like the song has a new context, but we don't know what it is yet. And now we all share a blurry, uncertain future.

You can watch the video for "I'm Not Getting Excited" below. Since this is The Beths, make sure you actually watch the video since they're one of the few bands out there today that consistently makes great videos. Jump Rope Gazers, the upcoming album from The Beths, will be out July 10 on Carpark Records. You can pre-order the album here. For more on The Beths, check them out on Facebook and Twitter.

Thursday, April 9, 2020

The Beths - "Dying to Believe"

Photo by Maison Fairey
We were both huge fans of The Beths's 2018 album Future Me Hates Me. It landed on our respective best of the year lists at #2 and #4, which probably makes it the If It's Too Loud... album of 2018. That means we're obviously thrilled to have new music from the New Zealand band. It's an understatement to say we're not disappointed by "Dying to Believe." It's an energetic indie pop/rock song that's impossibly bouncy and fun. The song is filled with amazing harmonies and hooks to go along with fuzzy and crunchy guitars. It's setting up the upcoming album to be the album of the summer. The only downside to "Dying to Believe" is that it's going to make you long for being outside when we're all supposed to stay indoors as much as possible. The Beths are far too good.

You can watch the video for "Dying to Believe" below. Jump Rope Gazers, the new album from The Beths, will be out July 10 on Carpark Records. You can pre-order the album here. For more on The Beths, check them out on Facebook and Twitter. Current tour dates are below the video.


Sun. Nov 8 - Perth, WA @ HBF Park*
Wed.  Nov. 11 - Melbourne, VIC @ Marvel Stadium*
Sat. Nov. 14 - Sydney, NSW @ Bankwest Stadium*
Tue. Nov. 17 - Brisbane, QLD @ QSAC Stadium*
Fri. Nov. 20 - Dunedin, NZ @ Forsyth Barr Stadium*
Sun. Nov. 22 - Auckland, NZ @ Mt Smart Stadium*
 
*w/ Green Day, Weezer and Fall Out Boy

Thursday, March 21, 2019

The Beths Cover Death Cab for Cutie

Photo by Mason Fairey
Death Cab for Cutie are just one of those bands I've never quite gotten into. I can appreciate them, but only for a song or two. One of those few songs I actually truly enjoy is "Soul Meets Body," which I know, I know, it's the most obvious one. When I heard that one of our favorites, The Beths, had covered that particular song, I knew I simply had to hear it. The cover was recorded in the SiriusXMU studios. It's one of those stripped down acoustic covers that were all the rage in radio back in the 90's but have pretty much disappeared now that radio no longer exists. It's, obviously, fantastic, and it hits the nostalgia button for so many reasons.

You can listen to The Beths's version of "Soul Meets Body" below. For more on The Beths, check out their website.

Monday, December 17, 2018

Jeff's Best of 2018 - #2: The Beths - Future Me Hates Me

A favorite of both myself and Ken’s this year, The Beths is the alt/indie rock record we deserve this year. I got in on the ground floor with their EP some time ago, having been addicted to “Idea/Intent” for some time, but the full length gives us a band that is loud and confident and providing a fully-polished experience that stayed in near-constant rotation for me. On an album with nearly no filler, you’re simply left with a poppy-sounding rock effort that has so many great layers to it.

The title track is one of the highlights, with a singable chorus and traditional background harmonies. For me, it’s more about songs like “Uptown Girl,” a song that shows a ton of personality in its frantic delivery, and “Whatever,” a rerecording from their EP that shows both how well the band has grown along with how far they’ve come. This should be as addictive to any new listener as it has been for me since its release.

Songs of note: “Uptown Girl,” “Future Me Hates Me,” “Whatever.”

Thursday, December 13, 2018

Ken's Best of 2018 - #4: The Beths - Future Me Hates Me

You know it's a strong year for music when The Beths are my #4 pick of the year. Future Me Hates Me is an absurdly great album, filled with some of the catchiest alternative pop rock songs anyone has heard in years. I've always had a sweet spot for songs that sound sunny and cheerful but are in reality heartbreakingly depressing. This description basically sums up all of Future Me Hates Me. The title track is Beach Boys level upbeat and catchy, but it's called "Future Me Hates Me." Seeing them live back in October only cemented my obsession with The Beths. The album is great. Seeing them live? Next level obsession worthy. My too early prediction for 2019 is that they are going to be the show stealer once the summer festival season starts. Their song "Little Death" just has that large crowd scream along feel to it, and I really want to see fields of people yelling out "I die I die a little death" at the top of their lungs. In fact, Future Me Hates Me coming out in August might be the only reason I didn't place it higher on my top 10, as I've had more times with the three albums ahead of it.

Songs of note: "Future Me Hates Me," "Little Death," "Happy Unhappy."

Friday, November 30, 2018

The Beths Cover "Have Yourself a Merry Little Christmas"

Photo by Mason Fairey
Jeff is more of the Christmas music guy here, but every so often there will be one that I enjoy thoroughly. We've both been huge on The Beths (expect them to do quite well in our best of 2018 recap coming soon), so of course we're going to drop everything when they release a Christmas song. They've released their take on the classic "Have Yourself a Merry Little Christmas." The song starts out as traditionally and quietly as possible, complete with strings. But, seeing as it clocks in at over five minutes, it slowly turns into an indie rock epic without losing any of its old timey charm. It's a brilliant version of a classic by a band very quickly becoming one of our favorites.

You can listen to The Beths's version of "Have Yourself a Merry Little Christmas" below. For more on The Beths, be sure to check them out on Facebook and Twitter. Current tour dates are below the song, including some early spring North American dates!


Fri. Dec. 14 – Wellington, NZ @ Meow
Sat. Dec. 15 – Warkworth Town District, NZ @ Leigh Sawmill Café 
Wed. Dec. 19 – Sydney, AUS @ Lansdowne Hotel
Thu. Dec. 20 – Northcote, AUS @ Northcote Social Club 
Sat. Dec. 22 – Fortitude Valley, AUS @ Black Bear Lodge 
Wed. Jan. 23 – Dublin, IE @ The Grand Social
Thu. Jan. 24 – Dublin, IE @ Olympia Theatre (w/ Death Cab for Cutie) 
Fri. Jan. 25 – Manchester, UK @ Albert Hall (w/ Death Cab for Cutie) (SOLD OUT)
Sat. Jan. 26 – Glasgow, UK @ O2 Academy Glasgow (w/ Death Cab for Cutie) 
Mon. Jan. 28 – Nottingham, UK @ Rock City (w/ Death Cab for Cutie)
Tue. Jan. 29 – Leeds, UK @ O2 Academy Leeds (w/ Death Cab for Cutie) 
Wed. Jan. 30 – Bristol, UK @ O2 Academy Bristol (w/ Death Cab for Cutie) 
Thu. Jan. 31 – London, UK @ Hoxton Square Bar & Kitchen 
Fri. Feb. 1 – London, UK @ Eventim Apollo (w/ Death Cab for Cutie) 
Sat. Feb. 2 – Paris, FR @ Le Trianon (w/ Death Cab for Cutie)
Sun. Feb. 3 – Antwerp, BE @ De Roma (w/ Death Cab for Cutie) 
Tue. Feb. 5 – Utrecht, NL @ TivoliVrendenburg, Grote Zaal (w/ Death Cab for Cutie)
Wed. Feb. 6 – Cologne, DE @ Live Music Hall (w/ Death Cab for Cutie) 
Thu. Feb. 7 – Berlin, DE @ Astra Kulturhaus (w/ Death Cab for Cutie) 
Sat. Feb. 9 – Hamburg, DE @ Große Freiheit 36 (w/ Death Cab for Cutie) (SOLD OUT)
Sun. Feb. 10 – Copenhagen, DK @ VEGA Musikkens Hus - Store Vega (Main Hall)
Mon. Feb. 11 – Stockholm, SE @ Cirkus (w/ Death Cab for Cutie) 
Tue. Feb. 12 – Oslo, NO @ Sentrum Scene (w/ Death Cab for Cutie)
Thu. Feb. 21-Sun. Feb. 24 – Orere Point, NZ @ Splore 2019
Tue. Feb. 26 – Toronto, ON @ The Garrison (w/ Bad Bad Hats) 
Wed. Feb. 27 – Montreal, QC @ Casa Del Popolo (w/ Bad Bad Hats) 
Thu. Feb. 28 – Boston, MA @ Brighton Music Hall (w/ Bad Bad Hats) 
Fri. Mar. 1 – Brooklyn, NY @ Music Hall of Williamsburg (w/ Bad Bad Hats)
Sat. Mar. 2 – Washington, DC @ Union Stage (w/ Bad Bad Hats) 
Sun. Mar. 3 – Philadelphia, PA @ First Unitarian Church (w/ Bad Bad Hats)
Tue. Mar. 5 – Cleveland, OH @ Beachland Ballroom (w/ Bad Bad Hats) 
Wed. Mar. 6 – Chicago, IL @ Lincoln Hall (w/ Bad Bad Hats) 
Thu. Mar. 7 – Nashville, TN @ The Basement (w/ Bad Bad Hats) 
Fri. Mar. 8 – Atlanta, GA @ The Earl (w/ Bad Bad Hats) 
Sat. Mar. 9 – Savannah, GA @ Savannah Stopover (w/ Bad Bad Hats)
Mon. Mar. 11-Fri. Mar. 15 – Austin, TX @ SXSW (w/ Bad Bad Hats)
Sat. Mar. 16 – Dallas, TX @ Not So Fun Wknd (w/ Bad Bad Hats)  
Sun. Mar. 17 – Houston, TX @ Satellite Bar (w/ Bad Bad Hats) 
Thur. May. 16 - London, UK @ The Dome 

Friday, October 12, 2018

Live Shows: The Beths, Atwood's Tavern, Cambridge, MA 10/10/18

Photo by Ken Sears
Atwood's Tavern is one of those venues that you know what type of music you're going to hear when you walk in the door. It's become quite possibly the go to venue for Americana/roots music in Boston and even if you don't know the band, if you're in the mood for some country or folk, you can hear that at Atwood's any night there is a band playing.

Anyone walking in off the street Wednesday night looking for that would have been severely disappointed, but probably not for long. The Beths, one of New Zealand's finest indie rock bands, came to town to play the 85 person venue. My love of their recently released album Future Me Hates Me made me expect to really enjoy their show, but I was completely blown away. 

For a band that only released their debut album this year, The Beths have perfected the art of playing tightly enough to be good but loose enough to have fun. And I think that might be the secret of the band: The absolute joy they exude while playing their sad songs that sound happy. It's completely infectious, and the crowd was beyond pumped to
Photo by Ken Sears
be there and seemed to already know every single song the band played. The other secret weapon of The Beths is guitarist Jonathan Pearce. While the rest of the band (Elizabeth Stokes (vocals/guitar), Benjamin Sinclair (bass/vocals), and Ivan Luketina-Johnston (drums/vocals)) are playing together, Pearce seems to be playing off in his own little direction, quietly playing these beautiful quiet melodies that and up accentuating the songs.


And the songs. Just about every song The Beths played could be a huge hit single. Look at the first three songs they played. "Future Me Hates Me" is as catchy as anything you've heard in the last ten years, "Uptown Girl" has that manic feel that gets your attention, and "You Wouldn't Like Me" has the best handclaps you've ever heard. But it's "Little Death" that could make The Beths superstars. On Future Me Hates Me it's easily one of my favorite songs, but live the song takes on a whole new intense feel. The chorus of "And I die I die a little death" is somehow designed to be an audience shout along once the band starts playing summer festivals. Plus, the instrumental bridge is just epic.

Do yourself a favor and see The Beths as soon as you can. It will be impossible for them to keep playing 85 person venues for much longer, if they ever do again.

Monday, September 17, 2018

The Beths Are Playing Atwoods????

Photo by Amanda Cheng
Atwood's Tavern in Cambridge, MA has become one of the go to places for roots/Americana music in the Boston area. Just about every night of the week you can head over there and have an idea of what you're going to see. That's why I was so surprised to see that New Zealand's The Beths are playing there on October 10. The Beths are decidedly not a roots act, and we've been loving their debut album Future Me Hates Me, calling it one of the best albums of the summer. Their fuzzy, loud, and melodic indie rock may be a bit jarring to regulars at Atwood's, and we can't wait to be there.

You can pick up your ticket to see The Beths at Atwood's Tavern on October 10 here. It's not often a band comes all the way from New Zealand to play an 85 person club for $10, so you'll want to get these ASAP. If you need more convincing, check out their new video for "Little Deaths" below. If you're not in the Boston area and want to check out The Beths near you, head over to their website for their current tour dates.

Tuesday, August 14, 2018

First Listen: New Releases for 10 August

Some great ones this week.

Album of the Week:


Artist: Bear Grass
Album: LEFT
Quick Description: Gorgeous and compelling indie folk.
Why You Should Listen: It's reminiscent of so many things, yet exists as its own unique album.
Overall Thoughts: Wow. I had never heard of this band coming in, but I was intrigued through song one and in love by the end of the second. This album is a weird hit of mid-2000s indie with some folk rock elements and a really fragile-sounding structure that I fell for over and over again. I told Ken how much I liked it early on, and he told me that he nearly presented it as “guaranteed to be in your 2018 top 10,” and… well, he might not be wrong.
Recommendation: An amazing album seemingly out of nowhere, and definitely one of the best of the year.


Artist: The Beths
Album: Future Me Hates Me
Quick Description: Debut album from a favorite here.
Why You Should Listen: This is probably the indie rock album of the summer.
Overall Thoughts: If it weren't for Bear Grass, this would be my favorite this week. I got turned onto this band years ago thanks to their EP, where album track "Whatever" first got released and my favorite Beths song, "Idea/Intent," didn't make the new album's cut. This is better produced, louder, more melodic, and just a realization of a band hitting their stride at just the right time. I fear that this isn't quite poppy enough to hook in enough people, which means that a LOT of people are going to miss out on one of the best albums of the summer.
Recommendation: Do not miss this.


Artist: Lola Kirke
Album: Heart Head West
Quick Description: Debut full-length from another folkie type.
Why You Should Listen: Some of her songs will blow your mind.
Overall Thoughts: I’ve been fairly obsessed with “Monster” since I first heard it, and the album largely met my heightened expectations. The album gives me a bit of an grittier version of early Tristen vibes in some regards, and songs like “Supposed To” really do a good job of keeping on board. If you like most of what we push here, this should be on your list.
Recommendation: Give this a shot.


Artist: Odetta Hartman
Album: Old Rockhounds Never Die
Quick Description: Follow-up to the solid 222
Why You Should Listen: Odetta Hartman is getting some solid buzz.
Overall Thoughts: I liked this well enough, but this was a much-anticipated release for me that I hoped to love. Instead, we have a rootsy album with a lot of solid moments and many unexpected twists and turns, but a first listen does not provide the sort of throughline I was ultimately hoping for.
Recommendation: Good, just not great.


Artist: Jake Shears
Album: Jake Shears
Quick Description: Solo debut from the Scissor Sisters frontman.
Why You Should Listen: It's solid cabaret-ish pop.
Overall Thoughts: The Scissor singer has a solo album which definitely has a mainstream cabaret feel to it that is fully and completely on-brand in one regard, but also would fit right in on a lot of pop radio stations. This really does not go too far off of the classic SS mold, and that’s perfectly fine.
Recommendation: Worth a listen if you're a fan.

Of note:

* Tomberlin i At Weddings (quiet, haunting folk stuff)
* Lights - Scorpion Side B (acoustic cover of a Drake album I’ve never heard)
* War and Treaty - Healing Tide (bluesy roots for people who might not like bluesy roots)
* The Coral - Move Through the Dawn (their best effort in years)
* Bird Streets - Bird Streets
* The Perceptionists - Low Resolution
* Kathryn Joseph - From When I Wake the Want Is
* Miles Kane - Coup de Grace
* Robbie Fulks and Linda Gail Lewis - Wild! Wild! Wild!

EPs:

* Tigerman Woah! - Do It All Again
* FOXTROTT - Meditations II
* Sammy Brue - Down With Desperation

Also out:

* Stella Sommer - 13 Kinds of Happiness
* Shooter Jennings - Shooter
* Liz Cooper and the Stampede - Window Flowers
* Foxing - Nearer My God

Thursday, July 19, 2018

The Beths - "Great No One"

Photo by Mason Fairey
If you've been reading this blog for any length of time, you know that we have a soft spot for the current crop of 90's influenced indie rockers, especially ones hailing from Australia or New Zealand. This is why we've been adoring the singles being released by The Beths, and "Great No One," their latest, is more of the same. It's incredibly upbeat, catchy as can be with just enough dirty fuzz to keep it interesting. Plus, we love sad songs that sound happy, and The Beths are proving themselves to be masters of that. This new album can not come quickly enough.

You can watch the lyric video for "Great No One" below. (I know, lyric videos are completely boring 95% of the time, but this one is totally worth it and a ton of fun.) Future Me Hates Me, the new album from The Beths, will be out August 10 on Carpark Records. You can pre-order a copy here. For more on The Beths, be sure to follow them on Facebook and Twitter.

Friday, June 8, 2018

The Beths - "Happy Unhappy"

Photo by Mason Fairey
After seeing yet another article claiming that people stop discovering new music after the age of 30, I listened to this new song from The Beths and I'm thrilled that doesn't apply to me. Seriously, those people are hardcore missing out. "Happy Unhappy" is this brilliant slice of sunshine filled alternative pop, the kind they used to make in the mid 90's. It starts out with this bouncy guitar riff and even bouncier "Oh oh oh"s. It's all incredibly glorious harmonies and crunchy guitars. What more could we possibly want? Oh, right. Killer fuzzed out, swirlking guitar solos, which we get later on. Anyone that misses out on checking out this song should be pitied.

You can listen to "Happy Unhappy" below. Future Me Hates Me, the debut album from The Beths, will be out August 10 on Carpark Records. You can pre-order your copy here. For more on The Beths, check them out on Facebook and Twitter. Tour dates are below the song.


June 11th - Brooklyn, NY - Alphaville *
June 13th - Philadelphia, PA - Ortlieb's
June 14th - Washington, DC - Loves Me Not
June 16th - Chicago, IL - Charm School
June 20th - San Francisco, CA - The Battery
June 22nd - Los Angeles, CA - Make Out Music
 
* w/ Peach Kelli Pop

Friday, May 11, 2018

The Beths - "Future Me Hates Me"

Photo by Mason Fairey
I have no idea what is going on in Australia and New Zealand, but those two countries just keep on giving us amazing 90's inspired guitar bands. The latest is The Beths, who hail from Auckland. Their new single, "Future Me Hates Me," is the perfect song to drive around to in the summer. It's energetic, bouncy, and has some of the most perfect fuzzed out guitars you've heard in ages. Of course, there is the title, so that means it's a fun song about sadness, which is my favorite kind of song. As singer Elizabeth Stokes says: " There’s a lot of sad sincerity in the lyrics... That relies on the music having a light heart and sense of humor to keep it from being too earnest."

You can watch the video for "Future Me Hates Me" below. The Beths' debut album also called Future Me Hates Me will be out August 10 on Carpark Records. It can be pre-ordered here. For more on The Beths, check out their website. Their current tour dates can be found below the video.


May 12th - London, UK - The Victoria Dalston
May 14th - Bristol, UK - The Louisiana
May 15th - Manchester, UK - 57 Thomas Street
May 16th - Newport, UK - Le Pub
May 20th - Exeter, UK - The Cavern
May 21st - Leeds, UK - Wharf Chambers ^
May 22nd - Glasgow, UK - Bar Bloc ^
May 23rd - Edinburgh, UK - Henry's Cellar Bar ^
May 24th - Durham, UK - Empty Shop ^
May 25th - Portsmouth, UK - Wave Maiden ^
May 26th - Paris, FR - Le Popin
May 27th - Lille, FR - CCL
June 1st - Berlin, DE - Bei Ruth
June 3rd - Langnau im Emmental, CH - Kaeptn Holger
June 6th - Munich, DE - Kulturstrand
June 7th - Hamburg, DE - Astra Stube
June 9th - Kiel, DE - Secret Lake House Party
June 11th - Brooklyn, NY - Alphaville *
June 13th - Philadelphia, PA - Ortlieb's
June 14th - Washington, DC - Loves Me Not
June 16th - Chicago, IL - Charm School
June 20th - San Francisco, CA - The Battery
June 22nd - Los Angeles, CA - Make Out Music
 
^ w/ Fresh
* w/ Peach Kelli Pop

Wednesday, June 29, 2016

Halfway There: Albums We Missed

Due to either Spotify delays, learning of acts later, or general incompetence, there are some solid albums we missed along the way. I figured I'd take a few minutes and highlight some of those releases and list the rest:

Kanye West - The Life of Pablo: If Beyonce hype was #1 this year so far, Kanye was #1a. The story of this release is going to be in textbooks in ten years time, but taken as a cohesive, complete album, it's hard not to see this as the masterpiece it truly is. There are a lot of layers here (which is typical for a modern Kanye record), and this is definitely a more interesting and more accessible record than Yeezus was. Ultimately, though, all this album does is tell me that Kanye West is operating on a level far beyond most other musicians, never mind rappers, and this is something we might not be able to fully comprehend even if he mapped it out for us. This requires multiple listens to even begin to unlock, and I have a feeling this will end up on a lot of best of lists this year, mine included.

The Beths - Warm Blood: I don't recall how I slipped up on The Beths, but this is a quick slice of indie pop goodness that just makes me wonder what the full length will be like. Five well-crafted songs offer a hint of what could be coming, and I hope people don't miss the boat on this group.

Radiohead - A Moon Shaped Pool: Radiohead will rightfully go down as an all-time band when it's all said and done, but if we're being completely honest with ourselves, they haven't had a truly great album since Amnesiac. The new album, though? Probably the closest we've gotten to a geat Radiohead album in some time. While "Burn the Witch," on its own, felt a little disjointed, it's only when hearing the album in total that the full weight of what the band accomplished here comes to light. While there is a bit of a "this is stuff we've had lying around and finally polished" thing to it (and the rework of "True Love Waits" isn't great in comparison to the versions floating around the internet for decades, even if the tone to finish the album is good), the full result is a band that seems to have finally balanced what it's trying to be after nearly 15 years of trying to figure it out. One of the best of this year as well.

Shel - Just Crazy Enough: Shel is comprised of four homeschooled sisters who do a sort of progressive roots thing that is both familiar and strange all at once. There's a lot here that feels more experimental than it needs to, but songs like "Moonshine Hill" and their cover of Metallica's "Enter Sandman" show something happening here that's worth hearing. Definitely an album worth taking a listen if you're looking for some stuff to get you through the summer months.

Katy B - Honey: I've been a fan of Katy B for a while now, and this is her first foray into "harder" dance music. The result is mixed at times - she's been a pop star/DJ for so long that this move seems a little counterintuitive but it also works in a few places. I won't ever say no to new Katy B music, but this is only good and not as great as I had hoped it would be.

Littler - Of Wandering: Another album I feel like I waited forever for, Littler's debut is a prime piece of indie rock that doesn't take a ton of chances while still sitting firmly outside the mainstream. It sounds like other folk-tinged indie rock in a lot of ways, but songs like "Knife Sucker" continue to resonate even after we've moved on. I know it won't be for everyone, but this is an album I keep jumping back to time and time again.

Andrew Bird - Are You Serious?: What's left to say about Andrew Bird except that he is one of the best at what he does. This is yet another traditional album from Bird that succeeds in nearly every way, and songs like "Roma Fade" and the title track are some of the best songs he's written period, never mind the best on this album. On a whole, Andrew Bird continues to operate on what feels like an entirely different level, and if you missed this one when it first came out, you really need to give it a shot. Another one of the best of the year.

The Dandy Warhols - Distortland: The Dandy Warhols continue to be one of my favorite bands ever, even though their last few albums have been the definition of a musical identity crisis. Distortland certainly feels like an attempt to return to form, and when we debuted "You Are Killing Me" however long ago, it felt like a Dandys song in a lot of ways. The full album feels like a Dandys album, even though a lot of it (like "Pope Reverend Jim") feels a little forced on a whole. While part of the band's charm is how they shift from sound to sound, sometimes it just gets taxing (like on Odditorium) and others it just never feels like a cohesive whole. While good, Distortland ultimately feels much more like the latter.

The Joy Forbidible - Hitch: The Joy Formidible put this on Spotify about two weeks after its release, and a friend had an early copy. Asking him what it was like, his response was one word: "long." It's not a bad descriptor, although does take away from what is a pretty good album. I wouldn't call this their best, and saying it's their worst doesn't give it enough credit (even though their first two full albums are much better). But truly, there are songs like "The Last Thing On My Mind" that just meander their way to the point and seem to fully represent the issues that are with this album. Cut a few songs, or cut the excesses from some of the better songs, and you have a tight, strong album in place here. Leave as is and it just feels 20 minutes too long. I wouldn't recommend against listening, but I'm merely disappointed in what could have been.




Also out but not mentioned includes Beyonce's Lemonade, which Ken heard and liked but I haven't had an experience with and may never hear. Yes, we're aware of it. I don't know if I'd have any real understanding of it if all the thinkpieces I've read and podcasts I've heard say much, but seeing as it's still not on Spotify, that's why we've not touched on it yet. For one of the better commentary breakdowns, I'd recommend the Sampler podcast from May, and for a more musical look, Switched on Pop's breakdown.

Also recently out in 2016:

* Alexandra Stan - Alesta
* Al Scorch - Circle Around the Signs
* Chelsea Lankes - Chelsea Lankes EP
* Eric Bachmann - Eric Bachmann
* Queen of Jeans - Queen of Jeans
* Skylar Gudarz - Oleander
* Hailee Steinfeld - HAIZ (yes, *that* Hailee Steinfeld)
* Heron Oblivion - Heron Oblivion
* Emma Pollack - In Search of Harperfield
* Teen - Love Yes
* Smooth Hound Smith - Sweet Tennessee Honey