Live Shows: The Mighty Mighty Bosstones, The Met Cafe Courtyard, Pawtucket, RI 7/22/17

This past year's Hometown Throwdown was the first I had missed in about five or six years. I felt like taking a break, none of the opening bands were all that intriguing to me, and I felt the money for my ticket should probably be going to Christmas presents. Of course, once the shows came I was filled with regret and missed going. When it was announced that The Mighty Mighty Bosstones were going to be touring this summer, I knew I had to go. 

Being a music snob, Let's Face It would be the album I'd want to see The Bosstones do from start to finish. It's the big hit album, and they have other albums that mean a lot to me. Plus, I'm a music snob. But, 2017 is the 20th anniversary of Let's Face It and it makes the most economic sense to do this album over their others. A funny thing happened as I went back to listen to the album in the weeks before the show. I remembered how great it really is, and how much I love so many of these songs. Plus, a good chunk of these songs are ones that rarely get played live.

And that's exactly what happened. Once The Mighty Mighty Bosstones started playing, all music snobbery was gone, and I was thrilled for ever single song that night. Sure, anytime you see the Bosstones you're going to get "The Rascal King" and "The Impression That I Get," but "That Bug Bit Me" or "Nevermind?" Those are special songs to see live.

Of course, Let's Face It is only a twelve song album that has a 33 minute running time, so there was a lot more than that album to fill up the show. Most of the remaining main set was made up of songs they'll always do at every show ("Simmer Down" and "Someday I Suppose") and a lot of their newer material from this century. That might sound a bit disappointing until you realize that their newer songs hold up live just as well as their classics. "Nah Nah Nah Nah Nah" has quickly become a live staple, and "Everybody's Better" could very well be their best song. Since we were right by Dicky Barrett's birthplace of Providence, they broke out rarity "Providence Is" and "Sunday Afternoons On Wisdom Ave" to mark the occasion. For the encore, they broke out the underrated "The Old School Off the Bright," the classic "Dr. D," and "A Little Bit Ugly." It was the perfect night that satisfied both casual fans that wanted the hits and us snobs that wanted the pre-fame hits and rarities.

First Listen: New Releases for July 21

I feel like this was a slow release week, and yet I wanted to listen to most of what came out.

Album of the Week:

Artist: Nicole Atkins
Album: Goodnight, Rhonda Lee
Quick Description: Pitch-perfect classic country-pop.
Why You Should Listen: Nicole Atkins is always solid, and this is her best yet.
Overall Thoughts: Nicole Atkins is always great, and she goes full retro-country with a pitch-perfect love letter to singers of old. It’s such a fun and refreshing listen with a lot of really great songs on it, and is easily my favorite listen of the week.
Recommendation: Just give this a shot. You won't regret it.

Artist: Dizzee Rascal
Album: Raskit
Quick Description: UK grime rapper's latest.
Why You Should Listen: I've never really listened before, and if I'm this glad I did...
Overall Thoughts: I missed the boat on Dizzee Rascall, so I don’t know how this compares with his albums from his popular prime, but if this is anything close to his best, wow. Fans of Run the Jewels will love what’s here, it feels like a good blend between older rap and more modern stuff, and just the tone and quality are top-notch. Just a great listen, and I think this week I’ll be looking up some of his other albums.
Recommendation: Solid rap music.

Artist: Dead Man Winter
Album: Furnace
Quick Description: Electric folk rock?
Why You Should Listen: You wish your folk music had some edge?
Overall Thoughts: The best description I can give this album is that this is basically what I’ve always wanted Fleet Foxes to be. This is folk rock, but they know how to turn it up/down more when needed and the result is a pretty great listen from top to bottom that doesn’t break much in the way of new ground but still feels fresh and different. It’s a difficult path to navigate, but I’m looking forward to spending more time on the journey with this band. And as I researched the stuff for this post, it turns out that it's the Trampled by Turtles lead singer's "electric" band, so it all makes sense.
Recommendation: Listen to this.

Artist: Katie Ellen
Album: Cowgirl Blues
Quick Description: Debut album from members of Chumped.
Why You Should Listen: Chumped was great, and this is a good time for a band like this.
Overall Thoughts: A band sprung from the ashes of Chumped, a band we absolutely loved and hated that they went away too soon, this feels like a poppier, more mainstream version of what Chumped was doing and feels like the correct evolution for everyone involved. It’s a good time for a sound like theirs, and I’m glad to see this continuing.
Recommendation: Loved this, and you should, too.

Artist: Super Best Friends Club
Album: Loveblows
Quick Description: A weird, wonderful indie pop rock album.
Why You Should Listen: This is probably unlike anything you've heard lately.
Overall Thoughts: The best way I can describe this album is if The Hidden Cameras were trying to get on the radio. Overall, this is meant to be a compliment, as this is a solid album that’s on the weird side of the aisle without being inaccessible, and the result is a listen that I feel has some layers I missed on first listen.
Recommendation: Absolutely worth your time.

Artist: Goldfinger
Album: The Knife
Quick Description: Classic punk act with a new album.
Why You Should Listen: If you know Goldfinger, you already know you wanna.
Overall Thoughts: Goldfinger has been around seemingly forever, and while they were never my cup of tea during my ska/punk phase in high school, this album is a bit of a throwback and actually a lot of goofy fun. It’s as eyerolly as some punk can get, and knowing how old these guys are it’s maybe a little hard to take seriously, but so what?
Recommendation: Music should be fun and this is a fun record.

Artist: Cornelius
Album: Mellow Waves
Quick Description: A weird and wonderful record.
Why You Should Listen: You like more challenging stuff overall.
Overall Thoughts: Cornelius is our strange listen of the week, with a lot of ethereal instrumentation to go along with challenging songwriting and soundscapes. It’s not weird in an inaccessible way, but it could be a little much for those who enjoy straightforward things. For me, though, I look for less straightforward stuff in this space, so it feels pretty mainstream (in context) to my ears. On a whole, though, this is one of the better listens this week from an act I’ll be looking for more from.
Recommendation: Great listen this week.

Artist: Tyler, The Creator
Album: Flower Boy
Quick Description: New album from the odd Future rapper.
Why You Should Listen: Tyler is divisive, but that's a reason to check it out.
Overall Thoughts: I've never actually liked any Tyler before, and this album is... well, it's something. I feel like it might be more accessible than his other stuff? I don't know, but I also never know what to expect. So with this in mind, and knowing that the Dizzee Rascal album is so good...
Recommendation: ...you can probably pass on this.

Artist: Lana Del Rey
Album: Lust for Life
Quick Description: Latest from the indie-but-not-really singer.
Why You Should Listen: This is the album people are going to be talking about for the next couple weeks.
Overall Thoughts: Lana Del Rey is effectively trolling us at this point. She knows it, we know it, and we eat it up anyway. I like her aesthetic, even if I don't love all her songs, but she's not trying to mess with the product (for the most part). It's pointless to review this, in any case - either you like her or you don't, and this album won't change that.
Recommendation: Just listen to it.

Artist: The Hayman/Kupa Band
Album: The Hayman/Kupa Band
Quick Description: British supergroup of sorts gives a solid debut album.
Why You Should Listen: Darren Hayman leads this one up, so you know to expect some good songwriting.
Overall Thoughts: Darren Hayman of Hefner and Emma Kupa of Standard Fare head the Hayman/Kupa band, who provide a folky, sometimes twee little record that finally got a United States release. This is maybe the most peppy I can recall hearing Hayman in some time, and the album is honestly mixed at best - some numbers are great, others are a little wanting, but I find that even with the Hefner records I love, so that's no surprise. Overall, though, this is a nice little slice of British indie you should give some time.
Recommendation: A solid listen.

EPs of note:

* Nine Inch Nails - Add Violence (some of Reznor's best work in a while)
* Holy Fuck - Bird Brains (this is awesome)
* King James and the Special Men - Act Like You Know

Also out this week:

* Foster the People - Sacred Hearts Club (what even is this)
* A L L I E - Nightshade
* Chris Robinson Brotherhood - Barefoot in the Head (really only worth it if you're really into Black Crowes)

J.R. Roach Covers Jimmy Reed

Based on what we write about on here, you most likely wouldn't guess that either one of us would be obsessed with Sam Black Church. Hardcore typically isn't my thing, but they just do this bizarre, unhinged version of it that has always resonated with me. Plus, if you were coming of age in central Massachusetts in the early to mid 90's, Sam Black Church stickers covered virtually every road sign, drive-thru menu, etc. It was viral marketing before there was such a thing.

Even odder is this first solo offering from J.R. Roach, Sam Black Church's drummer. (He also drums for Goddamn Draculas.) It's a cover of the Jimmy Reed 1961 classic blues song "Bright Lights, Big City." It's a pretty standard cover while being amped up just slightly. It avoids the middle aged white guy doing the blues thing you'll hear at your local BBQ and Blues fest this summer, and maybe it's just my assumptions based on who Reed is, but the guitar licks have just the trace hints of a metal riff. 

You can listen to J.R. Roach's cover of "Bright Lights, Big City" below. You can get your own copy of the song at Roach's Bandcamp. For more on J.R. Roach, check out his website.

Stalagmites - "Binary"

Photo by James Byrne

If you're from Manchester, starting a band is a damned if you do/damned if you don't proposal. How do you not start a band when your city has such a rich and legendary history? But... how do you start a band when your city has such a rich and legendary history? I'm not saying Stalagmites are the next legendary Manchester band, but based on "Binary," they're off to a good start.

"Binary" borrows pretty heavily from multiple genres. It could just be that the opening (and repeated) riff is very reminiscent of "Bastards of Young," but there's more than a hint of The Replacements here. You're going to hear a ton of modern post punk, but the more palatable Interpol variety than Gang of Four. When the guitar isn't sounding like The Replacements, it swirls around on the line between shoegaze and psychedelia. It's a great blend that takes a few of the most copied genres but puts them together in a way we're not quite used to.

You can watch the video for "Binary" below. The single is available now on Veta Records. For more on Stalagmites, check them out on Facebook.

Melkbelly - "Kid Kreative"

The latest single from Chicago's Melkbelly will hit a perfect retro button if you were an indie rock fan in the 1990's. Right from the use of a "K" to spell creative in the name "Kid Kreative," you'll know the level of 90's you're getting. It's crunchy, droning guitars that just chug along with a stylistically half done guitar solo, plus fairly monotone vocals (and I mean all of that in the best possible way). It never gets quite as noisy as you want it to get, but it's a great alternative pop song in the vein of The Breeders and Cake Like.

You can watch the video for "Kid Kreative" below. Melkbelly's debut album, Nothing Valley, will be out on October 13 via Wax Nine Records (aka Sadie Duspuis' (Sad13, Speedy Ortiz) label!) It can be pre-ordered here. For more on Melkbelly, check out their Bandcamp and Facebook.

Lee Ranaldo - "New Thing"

Photo via Facebook

At this point in his career, you should know what to expect from Lee Ranaldo. He's the guy formerly of Sonic Youth that brought in the psychedelic noise and was the master of the ten minute solo heavy jam. That's why his latest single, "New Thing," is so surprising. It's a fairly straightforward mainstream almost folk song. I've always said that he was the George Harrison of Sonic Youth, but for this song he's John Lennon. It includes melodic guitar and piano (the piano is very reminiscent of "Imagine"), Ranaldo harmonizing with Sharon Van Etten, and pretty standard verse/chorus/verse format. Sure, every so often there's a burst of feedback followed by some psychedelic guitar, but this is kept to a very minimum. After a 30+ year career, Lee Ranaldo can still surprise, this time by being so normal.

You can watch the video for "New Thing" below. Lee Ranaldo's latest album, Electric Trim, will be out September 15 on Mute Records. It can be pre-ordered here. For more on Ranaldo, check out his website.

Torres - "Three Futures"

Photo by Ashley Connor

Last month we brought you Torres' first single on 4AD, and last week her 4AD debut was announced along with a new song. "Three Futures" is a slow, slow build. Dominated by strings and driven by electronic sounding drums, it's a sluggish song that doesn't gain any speed, but builds intensity. It's not a nice song in the pretty sense. It's a bit uncomfortable and foreboding in the best possible way. Torres' voice adds to the mood of the song. She's never had a traditional sound to her voice, and "Three Futures" is the best example of her vocal talents.

You can watch the video for "Three Futures" below. Torres' 4AD debut, also called Three Futures, will be out September 29. For more on Torres, check out her website.

First Listen: New Releases for June 14

Album of the Week:

Artist: Waxahatchee
Album: Out in the Storm
Quick Description: Latest from the indie singer-songwriter.
Why You Should Listen: Katie Crutchfield has improved with every album under the Waxahatchee moniker, and this is her best yet.
Overall Thoughts: I don't know how to describe this, even now, because Waxahatchee has always filled its own little nook in the indie world. Trying to compare it to anything else is a little bit of a challenge, and that's fine - at its core, it's a unique indie listen, and this is no different. But this album also gives us songs like "Silver" and "Never Been Wrong" that speak to a positive evolution in her sound that just works for me. I can't recommend this enough, and I hope it has some solid staying power.
Recommendation: Easily the best of the week.

Artist: RAC
Album: EGO
Quick Description: Turntablist/DJs continue their pop ways.
Why You Should Listen: They've traditionally been interesting.
Overall Thoughts: I really enjoyed this DJ/turntable collective’s previous album, but this one just feels… weird. Some songs are solid – the Rivers Cuomo effort is fine, the MDNR song a definite plus, but on a whole, this feels more like going through the motions more than anything.
Recommendation: Probably skip it.

Artist: Kabells
Album: Ten Flowers
Quick Description: Strange, poppy music.
Why You Should Listen: This is definitely the most interesting listen of the week.
Overall Thoughts: Sometimes these songs have a whistle to them where I think it’s Andrew Bird singing falsetto with an electronica backing effort. Other times this feels like the standard pop efforts that are a little left of center and won’t get a ton of radio play. I can’t say this did much for me at all, and I can’t say I fully grasp the intentions here.
Recommendation: I didn't love this, but you might.

Artist: Siobhan Wilson
Album: There Are No Saints
Quick Description: Solid singer-songwritery stuff.
Why You Should Listen: A fascinating listen this week.
Overall Thoughts: In what kind of looks like a slowish week, I took a flier on this one and I’m glad I did – this is a unique singer-songwritery take, has some folk elements but also pushes out a lot of fuzzy elements and takes plenty of risks.
Recommendation: Absolutely try this one out.

Artist: Dishwalla
Album: Juniper Road
Quick Description: The latest 1990s revival.
Why You Should Listen: You loved "Counting Blue Cars."
Overall Thoughts: As much as we’re loving the 1990s revival around these parts, this was not an album anyone was asking for and is really not an album we needed. They’re also trying to be a little heavier than what they’re famous for, and none of it works.
Recommendation: Skip this.

Artist: Shabazz Palaces
Album: Quazars vs. The Jealous Machines
Quick Description: Off-center rap music.
Why You Should Listen: The weirdest rap album you'll hear this year.
Overall Thoughts: Some really dark, perhaps almost gothic in a way, rap music. There was a moment when Tricky, the trip-hop guy, was experimenting in this space a bit, and this felt very reminiscent of that effort. As for this, I don’t think it was bad, but I can definitively say it wasn’t for me. If you’re looking for something really different, give this a shot...
Recommendation: ... but your mileage may vary.

Artist: Offa Rex
Album: The Queen of Hearts
Quick Description: British folk with the Decemberists.
Why You Should Listen: If the Decemberists don't get you on board, the rest of this should.
Overall Thoughts: This was a surprise! I did not anticipate a collaboration between the Decemberists and a British folk singer, but here we are – the album itself is fun, feeling both modern and traditional, and it toes that line perfectly. Colin Meloy’s voice on the tracks where he’s featured as a vocalist are perfect, and Olivia Chaney often sounds like she was transported from two generations ago.
Recommendation: One of my favorite listens this week, and just a great little piece of music overall.

Artist: Oh Wonder
Album: Ultralife
Quick Description: New album from the poppy duo.
Why You Should Listen: Oh Wonder isn't forging a new path, but they still sound new and fresh in their space.
Overall Thoughts: Oh Wonder is sort of like the poppy cousin of The Head and the Heart in my brain. I can’t think of many acts that sound like them, but what they do generally works. This latest album is Oh Wonder hitting their stride, and it’s pretty solid. Even songs like “Bigger Than Love,” which try to be a little less traditional, have a lot going for it.
Recommendation: On a whole, a solid listen this week.

Artist: Twisted Pine
Album: Twisted Pine
Quick Description: Great straightforward bluegrass.
Why You Should Listen: You like your roots records to be no-nonsense.
Overall Thoughts: This is just a fun, light bluegrass record, no way around it. Pretty vocals, great instrumentation, and it doesn’t try to jump outside of what it does really well. If you’re into the more “progressive bluegrass” that’s made some waves in the last decade, you’ll probably be bored by this, but as someone who really enjoys the traditionalist side, this is a gorgeous modern take.
Recommendation: Absolutely give this some time this week, it’s a lovely listen.

Artist: The Dears
Album: Times Infinity Volume Two
Quick Description: The latest from the Canadian indie rockers.
Why You Should Listen: They were so good early on that it's hard not to want to try them again.
Overall Thoughts: I feel like I’ve been waiting for The Dears to replicate the brilliance of their first album for 15 years. This one doesn’t do it for me, unfortunately, being a bit of a mishmash of genres and ideas that never seems to fully flow together. Lots of talent here, but I never feel as if the execution is there for me anymore.
Recommendation: A miss.

EPs this week:

* Coldplay - Kaleidoscope (They've become a ridiculous band over the last decade, but they know how to write an anthemic song better than anyone)
* Best Ex - Ice Cream Anti-Social (awfully close to the pop side of things, but it works when it works)
* Railroad Earth - Captain Nowhere (Solid if unspectacular)
* The Radio Dept. - Teach Me To Forget

Also out this week:

* Sheer Mag - Need to Feel Your Love
* Psychic Temple - IV

The Dead Milkmen - "Only the Dead Get Off at Kymlinge"

Photo via Facebook

My long term love of The Dead Milkmen has been well documented here, so I'm thrilled that we can say that there's a new Dead Milkmen song! Not very long ago, the thought of new music from these guys was limited to merely wishing for some unheard tracks being unearthed, but here we are two albums and multiple singles into new Dead Milkmen music this century.

The Dead Milkmen have a new EP coming out this fall, and we can now hear the first song from it. "Only the Dead Get Off at Kymlinge" fits right into the reunited band's sound. It's a little more rocking than their 80's and 90's output, and the band is losing the novelty tag that was wrongly placed on them for too long. The song is about an urban legend about a Swedish ghost train station, so this hits so many of my buttons. It's a driving, fun song about a ghost train. If that doesn't appeal to you, then you're just wrong.

You can listen to "Only the Dead Get Off at Kymlinge" below. The Dead Milkmen's new EP, Welcome to the End of the World, will be out in the fall on The Giving Groove. 50% of all profits after taxes will be donated to Girls Rock Philly. You can pre-order a copy here. For more on The Dead Milkmen, check out their website.

Brilliant Beast Covers Stereolab

With our love of cover songs, we look forward to each and every tribute album put out by The Blog That Celebrates Itself. This week saw the release of Stereolab in, Metronomic Underground Versions, their collection of Sterolab covers. To our particular delight was track one, which features one of our favorites, Brilliant Beast, covering "Wow and Flutter."

Brilliant Beast, with their noisier version of shoegaze, might seem like an odd band to take on Stereolab, and they are. That's one of the main reasons this cover works. The original is a typically light and airy Sterolab song, with a jangly guitar. Brilliant Beast have a heavier version with a far crunchier guitar. It somehow still maintains the feel of the original, albeit louder and with more rock.

You can listen to Brilliant Beast's cover of "Wow and Flutter" below. You can download your own copy of Stereolab in, Metronomic Underground Versions for free via The Blog That Celebrates Itself's Bandcamp. For more on Brilliant Beast, check them out on Facebook and Twitter.