Following up on 2013's Spare Parts, John Davis (formerly of Folk Implosion) is about to release a new album under the name John Davis & The Cicadas. This one is a concept album about "... corporate corruption in the food industry and related issues like (im)migration, mass incarceration, public health, and the stock market." Most of the songs were written back in 2010 and 2012 but were recently recorded in North Carolina where Davis now works as a public school teacher. One of the songs we can now hear, "Contamination In the Grass," is about how society disregards the soil we count on for so much of our needs. It's a moody song that is synth heavy while still feeling rootsy. Concept albums can go horribly wrong, but this one could end up being interesting based on "Contamination In the Grass" and "HFCS."
You can listen to "Contamination In the Grass" below. John Davis & The Cicadas' new album, El Pulpo, will be out October 20 on Shrimper/Revolver. It can be pre-ordered on Bandcamp. For more on John Davis, check out his website.
Thursday, October 12, 2017
Wednesday, October 11, 2017
Mr. Lif & Brass Menazeri - "Crypt of Lost Styles"
Way back in 2011, Mr. Lif was invited to play the Seattle Folk Festival. (It might seem like an odd venue for him, but for those of us who've been following Mr. Lif for a while, it makes perfect sense. Also, how aren't more folk festivals booking hip hop artists by now?) He didn't have a backing band, so he was paired up with Brass Menazeri, San Francisco's original Balkan Brass Band. It went so well that they've all joined up for an album coming out next month.
"Crypt of Lost Styles" is virtually perfect. For decades, hip hop artists have been sampling horns, and now Mr. Lif has the energy of a live brass section behind him. It's a sound that's completely obvious in how perfect it all melds, but hasn't really been done before. It's pure old school hip hop through this glorious new prism that feels familiar even though it's completely fresh.
You can listen to "Crypt of Lost Styles" below. Mr. Lif & Brass Menazeri's album, Resilient, will be out on November 3 via Waxsimile. For more on Mr. Lif, check out his website. For Brass Menazeri, check out their Bandcamp. And let's all hope for a collaborative tour.
"Crypt of Lost Styles" is virtually perfect. For decades, hip hop artists have been sampling horns, and now Mr. Lif has the energy of a live brass section behind him. It's a sound that's completely obvious in how perfect it all melds, but hasn't really been done before. It's pure old school hip hop through this glorious new prism that feels familiar even though it's completely fresh.
You can listen to "Crypt of Lost Styles" below. Mr. Lif & Brass Menazeri's album, Resilient, will be out on November 3 via Waxsimile. For more on Mr. Lif, check out his website. For Brass Menazeri, check out their Bandcamp. And let's all hope for a collaborative tour.
First Listen, Part Two: More New Releases for October 6
The rest for the week:
Artist: Cults
Album: Offering
Quick Description: Latest from the buzzy reverb rockers.
Why You Should Listen: Cults has made enough of a splash that they're worth a listen.
Overall Thoughts: Everyone knows "Go Outside," but this third album moves in a bit more of a poppy direction for them, and it works in the sense that they absolutely have hit their stride as a band, but this is a sound that hasn't quite stayed as relevant as one might expect. I feel like I'm damning this with faint praise, but this album is just good, but not essential in a busy week.
Recommendation: Perhaps a fans-only affair.
Artist: Liam Gallagher
Album: As You Were
Quick Description: Former Oasis frontman with his debut solo effort.
Why You Should Listen: You really liked Oasis.
Overall Thoughts: This is an okay album. It's not good, it's not bad. But Liam will always be compared to Noel, and we have a High Flying Birds record coming soon, and this is just unfortunate and unnecessary. It's fine, but there's better efforts out there.
Recommendation: Skip this.
Artist: Wolf Parade
Album: Cry Cry Cry
Quick Description: New album from the Canadian indie act.
Why You Should Listen: Wolf Parade has traditionally been fairly interesting.
Overall Thoughts: Every time I see a new album from Wolf Parade, I'm surprised because I forget that they didn't break up. The new album sounds somewhat like their older stuff, and that's fine, but there's not a lot that's exciting about this to point out.
Recommendation: Meh.
Artist: The Weather Station
Album: The Weather Station
Quick Description: New album from the Amaricana-tinged indie rock act.
Why You Should Listen: The Weather Station has been sneakily producing some solid listens lately.
Overall Thoughts: I'm trying to figure out why I love The Weather Station but have basically had it with The War on Drugs. There's the same sort of prog feel in a lot of ways, but the things The Weather Station are doing on this album is a great leap forward. If "Thirty" doesn't do it for you, I question the existence of your soul. This is one of the better listens of the week, and needs to be heard.
Recommendation: Give this a listen.
Artist: Yumi Zouma
Album: Willowbank
Quick Description: Latest from the retro-ish rock act.
Why You Should Listen: In a crowded field in this genre, Yumi Zouma sometimes stands out...
Overall Thoughts: ...but doesn't always on this album. There's a distinct lack of growth on this album compared to their last, and that's too bad because there's a lot to like on a whole. I still think they peaked with "Song for Zoe and Gwen," and I keep waiting to get some of that brilliance again. It's not bad, just like so much of this week, but it could be so much better.
Recommendation: Not essential this week, but might be worth some time.
Artist: Kelela
Album: Take Me Apart
Quick Description: Buzzy R&B with a unique sound.
Why You Should Listen: You enjoy acts like FKA Twigs.
Overall Thoughts: This is absolutely the most interesting listen this week in a run of good albums from Kelela. I want to love this, and I generally do, but this might be a breakthrough for her that we haven't seen yet. There's a lot in the media about this one, so if you're into a more challenging R&B record that pushes the accessibility envelope, this could be worth your time.
Recommendation: A good listen this week.
Artist: Ducktails
Album: Jersey Devil
Quick Description: Laid back indie rock from a former member of Real Estate
Why You Should Listen: We like Ducktails here and this is a good listen.
Overall Thoughts: I find Ducktails hard to describe for whatever reason. Laid back seems right, but that almost seems to give the album a tone that it isn't maybe trying to put out there. The songwriting is crisp, the songs don't take a lot of risky chances, and the result is a really solid album that may not get the due it deserves. But in a busy week, it's still deserving of your time.
Recommendation: Give this a listen.
Artist: Matt Patershuk
Album: Same as I've Ever Been
Quick Description: Traditional rootsy country.
Why You Should Listen: Nothing like it this week.
Overall Thoughts: Instead of saying a lot of the same things I say week after week on a lot of these somewhat interchangeable country records, know that Patershuk has a really good voice for it and the songwriting here is sharper than most. More listens might reveal some really good stuff here, but for a first listen it doesn't 100% stand out.
Recommendation: Worth your time for a roots listen.
Artist: Slane vs. Termanology
Album: Anti-Hero
Quick Description: Boston-area indie rap.
Why You Should Listen: This is a good blend of old and new.
Overall Thoughts: I thoroughly enjoyed this listen on a whole, there's a lot to love here. The instrumentation feels a little hokey and dated, but the rapping is good enough to ultimately cover for a record that feels about ten years too late in all the right ways.
Recommendation: Find time for this.
EPs:
* Andrew Bird - Echolocations: River
Also out:
* The Church - man woman life death infinity
* Marilyn Manson - Heaven Upside Down
Artist: Cults
Album: Offering
Quick Description: Latest from the buzzy reverb rockers.
Why You Should Listen: Cults has made enough of a splash that they're worth a listen.
Overall Thoughts: Everyone knows "Go Outside," but this third album moves in a bit more of a poppy direction for them, and it works in the sense that they absolutely have hit their stride as a band, but this is a sound that hasn't quite stayed as relevant as one might expect. I feel like I'm damning this with faint praise, but this album is just good, but not essential in a busy week.
Recommendation: Perhaps a fans-only affair.
Artist: Liam Gallagher
Album: As You Were
Quick Description: Former Oasis frontman with his debut solo effort.
Why You Should Listen: You really liked Oasis.
Overall Thoughts: This is an okay album. It's not good, it's not bad. But Liam will always be compared to Noel, and we have a High Flying Birds record coming soon, and this is just unfortunate and unnecessary. It's fine, but there's better efforts out there.
Recommendation: Skip this.
Artist: Wolf Parade
Album: Cry Cry Cry
Quick Description: New album from the Canadian indie act.
Why You Should Listen: Wolf Parade has traditionally been fairly interesting.
Overall Thoughts: Every time I see a new album from Wolf Parade, I'm surprised because I forget that they didn't break up. The new album sounds somewhat like their older stuff, and that's fine, but there's not a lot that's exciting about this to point out.
Recommendation: Meh.
Artist: The Weather Station
Album: The Weather Station
Quick Description: New album from the Amaricana-tinged indie rock act.
Why You Should Listen: The Weather Station has been sneakily producing some solid listens lately.
Overall Thoughts: I'm trying to figure out why I love The Weather Station but have basically had it with The War on Drugs. There's the same sort of prog feel in a lot of ways, but the things The Weather Station are doing on this album is a great leap forward. If "Thirty" doesn't do it for you, I question the existence of your soul. This is one of the better listens of the week, and needs to be heard.
Recommendation: Give this a listen.
Artist: Yumi Zouma
Album: Willowbank
Quick Description: Latest from the retro-ish rock act.
Why You Should Listen: In a crowded field in this genre, Yumi Zouma sometimes stands out...
Overall Thoughts: ...but doesn't always on this album. There's a distinct lack of growth on this album compared to their last, and that's too bad because there's a lot to like on a whole. I still think they peaked with "Song for Zoe and Gwen," and I keep waiting to get some of that brilliance again. It's not bad, just like so much of this week, but it could be so much better.
Recommendation: Not essential this week, but might be worth some time.
Artist: Kelela
Album: Take Me Apart
Quick Description: Buzzy R&B with a unique sound.
Why You Should Listen: You enjoy acts like FKA Twigs.
Overall Thoughts: This is absolutely the most interesting listen this week in a run of good albums from Kelela. I want to love this, and I generally do, but this might be a breakthrough for her that we haven't seen yet. There's a lot in the media about this one, so if you're into a more challenging R&B record that pushes the accessibility envelope, this could be worth your time.
Recommendation: A good listen this week.
Artist: Ducktails
Album: Jersey Devil
Quick Description: Laid back indie rock from a former member of Real Estate
Why You Should Listen: We like Ducktails here and this is a good listen.
Overall Thoughts: I find Ducktails hard to describe for whatever reason. Laid back seems right, but that almost seems to give the album a tone that it isn't maybe trying to put out there. The songwriting is crisp, the songs don't take a lot of risky chances, and the result is a really solid album that may not get the due it deserves. But in a busy week, it's still deserving of your time.
Recommendation: Give this a listen.
Artist: Matt Patershuk
Album: Same as I've Ever Been
Quick Description: Traditional rootsy country.
Why You Should Listen: Nothing like it this week.
Overall Thoughts: Instead of saying a lot of the same things I say week after week on a lot of these somewhat interchangeable country records, know that Patershuk has a really good voice for it and the songwriting here is sharper than most. More listens might reveal some really good stuff here, but for a first listen it doesn't 100% stand out.
Recommendation: Worth your time for a roots listen.
Artist: Slane vs. Termanology
Album: Anti-Hero
Quick Description: Boston-area indie rap.
Why You Should Listen: This is a good blend of old and new.
Overall Thoughts: I thoroughly enjoyed this listen on a whole, there's a lot to love here. The instrumentation feels a little hokey and dated, but the rapping is good enough to ultimately cover for a record that feels about ten years too late in all the right ways.
Recommendation: Find time for this.
EPs:
* Andrew Bird - Echolocations: River
Also out:
* The Church - man woman life death infinity
* Marilyn Manson - Heaven Upside Down
Tuesday, October 10, 2017
The Low Cards - "Suffer"
Rhode Island has quietly become a haven for a roots music revival. I recently stumbled across The Low Cards, yet another great Americana/roots/folk artist from RI and their new song, "Suffer."
"Suffer" isn't the quiet, acoustic singer-songwriter side of the current neo-folk revival. It's a dirty, noisy blues based sound, like if early White Stripes lived down in a swamp and not Detroit. This isn't pretty music, but that's kind of the point. It's an amped up early rock n roll with a modern slant. Even if you cringe at the current crop of bands labelled "folk," you're going to love this song.
You can listen to "Suffer" below. To get your own digital copy, head over to The Low Cards' Bandcamp. For more on The Low Cards, check out their website.
"Suffer" isn't the quiet, acoustic singer-songwriter side of the current neo-folk revival. It's a dirty, noisy blues based sound, like if early White Stripes lived down in a swamp and not Detroit. This isn't pretty music, but that's kind of the point. It's an amped up early rock n roll with a modern slant. Even if you cringe at the current crop of bands labelled "folk," you're going to love this song.
You can listen to "Suffer" below. To get your own digital copy, head over to The Low Cards' Bandcamp. For more on The Low Cards, check out their website.
First Listen, Part One: New Releases for October 6
A busy week, so we're splitting this in two:
Album of the Week:
Artist: Alex Lahey
Album: I Love You Like a Brother
Quick Description: Debut full-length from someone who we've come to love very quickly here.
Why You Should Listen: This is the best mix of indie, alt-rock, and an older aesthetic I've heard in a while.
Overall Thoughts: Ken’s spent a lot of time raving about Lahey, and both of us had very high expectations for her debut full-length. Somehow she didn’t just meet them, she exceeded them easily. Sing-along choruses, a nice wall of sound that both hits hard and doesn’t overwhelm, an instrumental aesthetic that seems fully rooted in current times while still borrowing heavily from 80s and 90s soundscapes? There’s no flaw in this record at all, and it’s easily my favorite of the week. Unless you’re really, really anti-alt-rock, this has to get into your rotation this week, because Alex Lahey will probably end up being your favorite new musician on the block.
Recommendation: Best of the week, a best of the year candidate, and maybe your new favorite.
Artist: JD McPherson
Album: Undivided Heart and Soul
Quick Description: Latest from the rocker with a classic sound.
Why You Should Listen: His last album was great and he knows how to craft a tune.
Overall Thoughts: JD McPherson had one of my favorite songs in recent memory in “Head Over Heels.” This new album kind of leans into that song a bit, with a lot of well-structured pop rock to go along with everything. This isn’t a bad thing at all in this case, as McPherson has found a unique (to this era) sound that works for him. But if you’re looking for a little more variety, it might not be here as you might expect. This is a good listen, it’s simply surprising that it doesn’t take as many chances as one would expect.
Recommendation: Worth your time.
Artist: Ane Brun
Album: Leave Me Breathless
Quick Description: The oddest covers album of 2017.
Why You Should Listen: Ane Brun's voice is unique and has offered a number of great songs.
Overall Thoughts: A singer I’ve enjoyed for a while, this is an interesting-yet-puzzling collection of cover songs ranging from the classic to the confounding – no one is asking for a version of Mariah Carey’s “Hero” as far as I know, but if you were, there’s one here. Her voice is so unique and interesting that the takes on these songs is enough to give this a listen, but for me, this was just one of those weird curiosities rather than a really solid album.
Recommendation: Listener beware.
Artist: Best Girl Athlete
Album: Best Girl Athlete
Quick Description: Genre-hopping sophomore indie effort.
Why You Should Listen: You don't mind surprises in your indie music.
Overall Thoughts: This was an album I picked out solely due to the title of the act. Within the first song I was first impressed by the way the songs were structured, but then there was a rap break. The approach here appears to be to confound expectations whenever possible, and the result is an album that I definitely liked, but found myself questioning a lot of the choices more than really just being able to enjoy what I was hearing. This isn’t to say this is a bad album; it’s just a weird listen with a lot of strangeness seemingly baked in.
Recommendation: I’m not 100% sure it works.
Artist: Silver Torches
Album: Let It Be a Dream
Quick Description: new album from an indie folkie.
Why You Should Listen: You're a fan of the more quiet side of indie music.
Overall Thoughts: This album reminds me of an old band, Fuck, that hasn’t been heard from in a very long time. Quiet, kinda weird, kinda folky, very unexpected. This album is good, but almost too unassuming, and it’s an album I put on and then it ended and I could barely remember much else except the overall tone. I’ll come back to it, but in a busy week you absolutely want to be more memorable than this.
Recommendation: Not essential in a busy week.
Artist: Kele Okereke
Album: Fatherland
Quick Description: Bloc Party lead singer with an introspective effort.
Why You Should Listen: This is not what you expect at all.
Overall Thoughts: If you asked me what direction a proper Kele Okereke solo album would go, I do not think chamber pop would make it anywhere in the top 30. But here we are, with a very introspective, gentle chamber pop record that would probably be a lot more enjoyable if the Bloc Party baggage wasn’t being towed behind it. Look at it on its own, however, and it’s an interesting album with a lot of positives going for it. The songwriting is great and the musicality behind it impressive. It’s just hard to shake where this is coming from given how long Okereke has been in the musical consciousness.
Recommendation: A weird listen that I didn't love, but didn't hate.
Artist: Dhani Harrison
Album: IN//PARALLEL
Quick Description: George Harrison's son's first proper album.
Why You Should Listen: You're a Beatles completist, or just curious.
Overall Thoughts: George Harrison’s only son doesn’t sound like what I expected him to sound like, and that might be a positive in his corner. On the other hand, when we’ve had the “famous kids” albums in recent years, like Harper Simon or Liam Finn, they’ve offered some truly memorable moments both to strike away from their heritage and to make their own names. Harrison appears to be keeping it a little closer to the chest, and that’s fine. It just might not land for everyone as a result.
Recommendation: Not great, but not bad either.
Artist: Kaitlyn Aurelia Smith
Album: The Kid
Quick Description: New album from the indie electronic act.
Why You Should Listen: Smith is getting significant buzz over the last year.
Overall Thoughts: I didn't get to write about it, but I loved her last mini-album. This is definitely in a more pop(ulist) direction, and it's a little off-putting on first listen, but I was hooked by the end and simply can't wait to dive back in. This is a solid listen for anyone, but especially those who like the sort of indie electro stuff I've featured here lately.
Recommendation: Should be something on your list this week.
EPs of note:
* Mirah - Sundial
* Surf Rock is Dead - We Have No Friends
Also out:
* Pearl Jam - Let's Play Two
* The Darkness - Pinewood Smile
Artist: Alex Lahey
Album: I Love You Like a Brother
Quick Description: Debut full-length from someone who we've come to love very quickly here.
Why You Should Listen: This is the best mix of indie, alt-rock, and an older aesthetic I've heard in a while.
Overall Thoughts: Ken’s spent a lot of time raving about Lahey, and both of us had very high expectations for her debut full-length. Somehow she didn’t just meet them, she exceeded them easily. Sing-along choruses, a nice wall of sound that both hits hard and doesn’t overwhelm, an instrumental aesthetic that seems fully rooted in current times while still borrowing heavily from 80s and 90s soundscapes? There’s no flaw in this record at all, and it’s easily my favorite of the week. Unless you’re really, really anti-alt-rock, this has to get into your rotation this week, because Alex Lahey will probably end up being your favorite new musician on the block.
Recommendation: Best of the week, a best of the year candidate, and maybe your new favorite.
Artist: JD McPherson
Album: Undivided Heart and Soul
Quick Description: Latest from the rocker with a classic sound.
Why You Should Listen: His last album was great and he knows how to craft a tune.
Overall Thoughts: JD McPherson had one of my favorite songs in recent memory in “Head Over Heels.” This new album kind of leans into that song a bit, with a lot of well-structured pop rock to go along with everything. This isn’t a bad thing at all in this case, as McPherson has found a unique (to this era) sound that works for him. But if you’re looking for a little more variety, it might not be here as you might expect. This is a good listen, it’s simply surprising that it doesn’t take as many chances as one would expect.
Recommendation: Worth your time.
Artist: Ane Brun
Album: Leave Me Breathless
Quick Description: The oddest covers album of 2017.
Why You Should Listen: Ane Brun's voice is unique and has offered a number of great songs.
Overall Thoughts: A singer I’ve enjoyed for a while, this is an interesting-yet-puzzling collection of cover songs ranging from the classic to the confounding – no one is asking for a version of Mariah Carey’s “Hero” as far as I know, but if you were, there’s one here. Her voice is so unique and interesting that the takes on these songs is enough to give this a listen, but for me, this was just one of those weird curiosities rather than a really solid album.
Recommendation: Listener beware.
Artist: Best Girl Athlete
Album: Best Girl Athlete
Quick Description: Genre-hopping sophomore indie effort.
Why You Should Listen: You don't mind surprises in your indie music.
Overall Thoughts: This was an album I picked out solely due to the title of the act. Within the first song I was first impressed by the way the songs were structured, but then there was a rap break. The approach here appears to be to confound expectations whenever possible, and the result is an album that I definitely liked, but found myself questioning a lot of the choices more than really just being able to enjoy what I was hearing. This isn’t to say this is a bad album; it’s just a weird listen with a lot of strangeness seemingly baked in.
Recommendation: I’m not 100% sure it works.
Artist: Silver Torches
Album: Let It Be a Dream
Quick Description: new album from an indie folkie.
Why You Should Listen: You're a fan of the more quiet side of indie music.
Overall Thoughts: This album reminds me of an old band, Fuck, that hasn’t been heard from in a very long time. Quiet, kinda weird, kinda folky, very unexpected. This album is good, but almost too unassuming, and it’s an album I put on and then it ended and I could barely remember much else except the overall tone. I’ll come back to it, but in a busy week you absolutely want to be more memorable than this.
Recommendation: Not essential in a busy week.
Artist: Kele Okereke
Album: Fatherland
Quick Description: Bloc Party lead singer with an introspective effort.
Why You Should Listen: This is not what you expect at all.
Overall Thoughts: If you asked me what direction a proper Kele Okereke solo album would go, I do not think chamber pop would make it anywhere in the top 30. But here we are, with a very introspective, gentle chamber pop record that would probably be a lot more enjoyable if the Bloc Party baggage wasn’t being towed behind it. Look at it on its own, however, and it’s an interesting album with a lot of positives going for it. The songwriting is great and the musicality behind it impressive. It’s just hard to shake where this is coming from given how long Okereke has been in the musical consciousness.
Recommendation: A weird listen that I didn't love, but didn't hate.
Artist: Dhani Harrison
Album: IN//PARALLEL
Quick Description: George Harrison's son's first proper album.
Why You Should Listen: You're a Beatles completist, or just curious.
Overall Thoughts: George Harrison’s only son doesn’t sound like what I expected him to sound like, and that might be a positive in his corner. On the other hand, when we’ve had the “famous kids” albums in recent years, like Harper Simon or Liam Finn, they’ve offered some truly memorable moments both to strike away from their heritage and to make their own names. Harrison appears to be keeping it a little closer to the chest, and that’s fine. It just might not land for everyone as a result.
Recommendation: Not great, but not bad either.
Artist: Kaitlyn Aurelia Smith
Album: The Kid
Quick Description: New album from the indie electronic act.
Why You Should Listen: Smith is getting significant buzz over the last year.
Overall Thoughts: I didn't get to write about it, but I loved her last mini-album. This is definitely in a more pop(ulist) direction, and it's a little off-putting on first listen, but I was hooked by the end and simply can't wait to dive back in. This is a solid listen for anyone, but especially those who like the sort of indie electro stuff I've featured here lately.
Recommendation: Should be something on your list this week.
EPs of note:
* Mirah - Sundial
* Surf Rock is Dead - We Have No Friends
Also out:
* Pearl Jam - Let's Play Two
* The Darkness - Pinewood Smile
Monday, October 9, 2017
Live Shows: Banditos and Caroline Rose, Great Scott, Allston, MA 10/4/17
Listening to the latest album from Banditos is almost like listening to two separate bands. First you get the band led by Mary Beth Richardson which is a more bluesy, soulful band. The second is led by Stephen Pierce, and is a more fun loving, almost outlaw country band. Seeing them live last week, the divide was even more apparent, which was part of the whole charm of the live experience.
This might seem like an odd comparison, but I'm going to compare the Banditos live to Squirrel Nut Zippers live. Katherine Whelan is a far superior singer to Jimbo Mathus, and live her voice was even more incredible and mesmerizing. However, his songs were livelier and more fun, so they became the hits the crowd reacted to. The same can be said for Richardson and Pierce. Her voice is great, particularly live, but she sings mostly ballads. Pierce's voice is a fairly standard country rock twang, but his songs are just more energetic and fun. Wednesday night his collection of songs reminded me a lot of early Hank Williams III, back when he was still more country than metal. The crowd responded far more energetically to songs sung by Pierce, mainly because they're more fun and easier to move to. It took a while, but the crowd fully woke up during "Still Sober (After All These Beers)" with the majority doing some kind of dancing for that particular song. Even the current single "Fine Fine Day" elicited less of a response from the crowd, but how can you beat that title? Richardson's songs had far less energy, but she completely drew the crowd in with her vocals, especially "Healin' Slow."
As much as I meant to catch opener Caroline Rose's full set, poor planning led me to only catching her last three songs. On her album, I Will Not Be Afraid, she's a groovy Americana singer, with at least as much of a country sound as you'd expect with song titles like "Blood on Your Bootheels." Some of her songs do stray a bit more on the pop side of things, but it's still fairly roots and country based. Live she was a whole different artist. I haven't been more blindsided by an artist's live show versus their album since The Fiery Furnaces. Wednesday night she was more akin to DEVO trying to play with the slightest hint of twang. It was wildly unexpected, and made me wish I had caught her full set.
This might seem like an odd comparison, but I'm going to compare the Banditos live to Squirrel Nut Zippers live. Katherine Whelan is a far superior singer to Jimbo Mathus, and live her voice was even more incredible and mesmerizing. However, his songs were livelier and more fun, so they became the hits the crowd reacted to. The same can be said for Richardson and Pierce. Her voice is great, particularly live, but she sings mostly ballads. Pierce's voice is a fairly standard country rock twang, but his songs are just more energetic and fun. Wednesday night his collection of songs reminded me a lot of early Hank Williams III, back when he was still more country than metal. The crowd responded far more energetically to songs sung by Pierce, mainly because they're more fun and easier to move to. It took a while, but the crowd fully woke up during "Still Sober (After All These Beers)" with the majority doing some kind of dancing for that particular song. Even the current single "Fine Fine Day" elicited less of a response from the crowd, but how can you beat that title? Richardson's songs had far less energy, but she completely drew the crowd in with her vocals, especially "Healin' Slow."
As much as I meant to catch opener Caroline Rose's full set, poor planning led me to only catching her last three songs. On her album, I Will Not Be Afraid, she's a groovy Americana singer, with at least as much of a country sound as you'd expect with song titles like "Blood on Your Bootheels." Some of her songs do stray a bit more on the pop side of things, but it's still fairly roots and country based. Live she was a whole different artist. I haven't been more blindsided by an artist's live show versus their album since The Fiery Furnaces. Wednesday night she was more akin to DEVO trying to play with the slightest hint of twang. It was wildly unexpected, and made me wish I had caught her full set.
Friday, October 6, 2017
The Rentals - "Elon Musk is Making Me Sad"
Typically we have to wait an insane amount of time in between releases from The Rentals. Matt Sharp [editor's note: We're legally required to remind you that he used to be in Weezer] takes his sweet time working on new music, so since Lost in Alphaville was released in 2014, I wasn't expecting anything new from The Rentals until at least 2020.
Well... I'm in luck. The Rentals have a new single out, "Elon Musk is Making Me Sad." For those of us a little disappointed by Lost in Alphaville, "Elon Musk is Making Me Sad" is a true return to form. The best songs from The Rentals have always been equal parts sense of humor and melancholy. The song tells the tale of two boys who each received a Commodore computer back in 1982. One boy used his to "... make fake IDs and buy beer in junior high" while the other one learned everything he could about his. As you can probably guess, Matt Sharp was the one making fake IDs. Sharp does have a bit of a gloat in the song that he had the lead in 1995, but has been since overtaken by Musk. It's also a song to implore Musk to take Sharp along when it's time to leave the planet. Although the song is very synth heavy, it's a bit more organic than most of The Rentals' releases and edges into Sharp's acoustic solo releases.
You can watch the lyric video for "Elon Musk is Making Me Sad" below. You can get your own copy via your digital music outlet of choice. Right now it appears to just be a single, but let's hope an album is forthcoming. For more on The Rentals, check out their website.
Well... I'm in luck. The Rentals have a new single out, "Elon Musk is Making Me Sad." For those of us a little disappointed by Lost in Alphaville, "Elon Musk is Making Me Sad" is a true return to form. The best songs from The Rentals have always been equal parts sense of humor and melancholy. The song tells the tale of two boys who each received a Commodore computer back in 1982. One boy used his to "... make fake IDs and buy beer in junior high" while the other one learned everything he could about his. As you can probably guess, Matt Sharp was the one making fake IDs. Sharp does have a bit of a gloat in the song that he had the lead in 1995, but has been since overtaken by Musk. It's also a song to implore Musk to take Sharp along when it's time to leave the planet. Although the song is very synth heavy, it's a bit more organic than most of The Rentals' releases and edges into Sharp's acoustic solo releases.
You can watch the lyric video for "Elon Musk is Making Me Sad" below. You can get your own copy via your digital music outlet of choice. Right now it appears to just be a single, but let's hope an album is forthcoming. For more on The Rentals, check out their website.
Melkbelly - "Off the Lot"
![]() |
| Photo by Lenny Gilmore |
You can watch the video for "Off the Lot" below. Melkbelly's debut album, Nothing Valley, will be out October 13 on Wax Nine/Carpark. You can pre-order your copy here. For more on Melkbelly, check out their website.
Fri. Oct. 13 - Chicago, IL @ The Hideout (Record Release Show)
Mon. Oct. 16 - Bloomington, IN @ Bishop Bar +
Tue. Oct. 17 - Columbus, OH @ Double Happiness
Wed. Oct. 18 - Washington DC @ Comet Ping Pong
Fri. Oct. 20 – Brooklyn, NY @ Alphaville
Sat. Oct. 21 - Cambridge, MA @ YMCA
Sun. Oct. 22 - Providence, RI @ Aurora
Mon. Oct. 23 - Philadelphia, PA @ Space 1026
Tue. Oct 24 - Cleveland, OH @ Now That's Class
Wed. Oct. 25 - Detroit, MI @ Donovan's
Wed. Nov. 8 - Portland, OR @ Wonder Ballroom ^ — SOLD OUT
Thu. Nov. 9 - Seattle, WA @ Showbox ^
Mon. Nov. 11 - San Francisco, CA @ Rickshaw Stop ^ — SOLD OUT
Sun. Nov. 12 - San Francisco, CA @ the Independent ^ — SOLD OUT
Mon. Nov. 13 - Los Angeles, CA @ El Rey Theater ^ — SOLD OUT
Tue. Nov. 14 - Phoenix, AZ @ LBX
Thu. Nov. 16 - Denver, CO @ Larimer Lounge
Fri. Nov. 17 - Lawrence, KS @ Replay
Fri. Feb. 16 - Norman, OK @ Opolis *
Sat. Feb. 17 - Santa Fe, NM @ Meow Wolf *
Sat. Feb. 24 - Eugene, OR @ Hi Fi Music Hall *
Sun. Feb. 25 - Portland, OR @ Aladdin Theater *
Mon. Feb. 26 - Vancouver, BC @ Biltmore Cabaret *
Thu. March 1 - Spokane, WA @ The Bartlett *
Fri. March 2 - Boise, ID @ Neurolux *
Sat. March 3 - Salt Lake City @ Kilby Court *
Tue. March 6 - Kansas City @ The Record Bar *
+ = with Snail Mail
^ = with the Breeders
* = with Bully
Mon. Oct. 16 - Bloomington, IN @ Bishop Bar +
Tue. Oct. 17 - Columbus, OH @ Double Happiness
Wed. Oct. 18 - Washington DC @ Comet Ping Pong
Fri. Oct. 20 – Brooklyn, NY @ Alphaville
Sat. Oct. 21 - Cambridge, MA @ YMCA
Sun. Oct. 22 - Providence, RI @ Aurora
Mon. Oct. 23 - Philadelphia, PA @ Space 1026
Tue. Oct 24 - Cleveland, OH @ Now That's Class
Wed. Oct. 25 - Detroit, MI @ Donovan's
Wed. Nov. 8 - Portland, OR @ Wonder Ballroom ^ — SOLD OUT
Thu. Nov. 9 - Seattle, WA @ Showbox ^
Mon. Nov. 11 - San Francisco, CA @ Rickshaw Stop ^ — SOLD OUT
Sun. Nov. 12 - San Francisco, CA @ the Independent ^ — SOLD OUT
Mon. Nov. 13 - Los Angeles, CA @ El Rey Theater ^ — SOLD OUT
Tue. Nov. 14 - Phoenix, AZ @ LBX
Thu. Nov. 16 - Denver, CO @ Larimer Lounge
Fri. Nov. 17 - Lawrence, KS @ Replay
Fri. Feb. 16 - Norman, OK @ Opolis *
Sat. Feb. 17 - Santa Fe, NM @ Meow Wolf *
Sat. Feb. 24 - Eugene, OR @ Hi Fi Music Hall *
Sun. Feb. 25 - Portland, OR @ Aladdin Theater *
Mon. Feb. 26 - Vancouver, BC @ Biltmore Cabaret *
Thu. March 1 - Spokane, WA @ The Bartlett *
Fri. March 2 - Boise, ID @ Neurolux *
Sat. March 3 - Salt Lake City @ Kilby Court *
Tue. March 6 - Kansas City @ The Record Bar *
+ = with Snail Mail
^ = with the Breeders
* = with Bully
Thursday, October 5, 2017
People Come, People Go: Remembering Tom Petty
![]() |
| Photo via Facebook |
Tom Petty shouldn't have been huge in 1989. 1989 was the time of Bobby Brown, Paula Abdul, and Guns n Roses. Petty was nearly 40 years old, and roots tinged rock and roll wasn't exactly lighting up the charts. But that's what has always been cool about Tom Petty: He was always just there, doing his own thing. While other "classic rock" artists have had comeback hits, Petty just had hits. Virtually from the start of MTV to when they stopped showing videos, he had massive hit videos for decades.
Petty never went through a grunge phase. He never dabbled in industrial, or released an electronica record. He just made the records he wanted to make, and that's what made him so effortlessly cool. He released what might have been his finest album, Wildflowers, in 1994, 18 years since the first Heartbreakers album was released. In the mid 1990's, literally everything was considered alternative. Sheryl Crow and Jewel had the alternative label thrown on them at some point. You know who wasn't alternative? Tom Petty. "You Don't Know How it Feels" was a huge song back in the days of Dr. Dre and Bush. How cool was Tom Petty? The video was censored by MTV, the station of cool and youth, for saying the word "joint."
Tom Petty's music is timeless. It truly is. He's never released a bad album. (If you say The Last DJ, you're wrong. Listen to that one now that rock radio is effectively dead, and tell me it isn't brilliant.) You don't know anyone who doesn't like Tom Petty. Ok, maybe you have a cousin that only listens to black metal or hardcore, but if you listen to more than one genre of music, Tom Petty is your guy. And he has been for years. Comedians Jonah Ray and Marc Maron both have jokes about Tom Petty being the one thing that can unite all Americans since he's the one thing we all like. And now he's gone. And we're going to have to figure it all out without him.
Wednesday, October 4, 2017
Fox Face - "Clever Girl"
![]() |
| Photo via Facebook |
You can listen to "Clever Girl" below. Fox Fire's debut album, Spoil + Destroy, will be out November 3 on Dirtnap Records. For more on Fox Fire, check them out on Facebook.
Oct 14 - Mickeys Tavern, Madison "Turkeyfest" w/ Fire Heads, Blaha, The Smells
Oct 31 - WMSE radio Milwaukee - Local/Live
Nov 3 - Acme Records, Milwaukee * Release show* w/ Sex Scenes, Red Lodge
Nov 17 - WSUM radio Madison - 4pm
Nov 17 - North Street Cabaret, Madison * Release show* - w/ Cool Building, No Hoax
Nov 18 - Caliwaukee, Chicago * Release show* - w/ TBD
Subscribe to:
Posts (Atom)
























