Tuesday, October 8, 2024

Cat Ridgeway - "Epilogue"

Photo by Gabe Lugo

The latest from Orlando's Cat Ridgeway is an interesting one. "Epilogue" is one of those songs that is both punk and pop without being pop punk. The guitar in the song has some references to "Lust for Life," but goes off in a more twangy garage rock sound. The song chugs along at a quick pace with Ridgeway's vocals not quite being sung and not quite being spoken. There's a certain frantic feel to the song, and it could be anxiety inducing, but in a good way. "Epilogue" is landing somewhere between proto-punk and modern, pop-inflected punk. Cat Ridgeway is going to have you intrigued and bouncing around whether you want to or not.

Cat Ridgeway says of her latest single:

“‘Epilogue’ is so striking and gives folks a deeper look into my inner world… it’s the perfect song to introduce this new era. Plus, it’s just fun as hell to play. Distorting and smacking a banjo until your palms bruise is always a good time for everyone involved!”

You can watch the video for "Epilogue" below. Sprinter is due out in Spring 2025. For more on Cat Ridgeway, check out the artist's website. Upcoming tour dates are below the video.


October 8 - Greensboro, NC @ The Flat Iron

October 9 - Washington, DC @ The Pie Shop

October 10 - Philadelphia, PA @ World Cafe Live Lounge

October 11 - Kennett Square, PA @ The Kennett Flash

October 12 - New York, NY @ Groove

October 13 - Arlington, MA @ Capitol Theatre

October 15 - Buffalo, NY @ Rec Room

October 16 - Columbus, OH @ Rumba Cafe

October 17 - Detroit, MI @ Lager House

October 18 - Cleveland, OH @ The Asylum at Masonic Temple

October 19 - Chicago, IL @ Subterranean Downstairs

October 21 - Milwaukee, WI @ Anodyne Coffee Roasting Co.

October 22 - Minneapolis, MN @ Underground Music Cafe

October 23 - Davenport, IA @ Raccoon Motel

October 25 – Milton, GA @ Matilda’s Music Under The Pines

November 6 – Ocala, FL @ Ocala Downtown Square

November 8 & 9 – Panama City, FL @ Panama City’s Songwriter Festival 2024

(without The Tourists)

November 21 – Orlando, FL @ Judson’s Live At The Dr. Phillips Center

(two shows, Cat Ridgeway & Mitch Ridgeway show)

November 30 – Jacksonville, FL @ Jack Rabbits

December 1 – New Orleans, LA @ Chickie Wah Wah

December 2 - Houston, TX @ Shoeshine Charley’s Big Top Lounge

December 3 – Austin, TX @ Mohawk

December 4 – Dallas, TX @ Three Links Deep Ellum

December 5 - Denton, TX @ Andy’s Bar & Grill

December 6 – Oklahoma City, OK @ Resonant Head

December 7 - Kansas City, MO @ Minibar

December 8 – Little Rock, AR @  Stickyz Rock-n-Roll Chicken Shack

December 9 - Birmingham, AL @ The Nick

Kim Deal - "A Good Time Pushed"

Photo by Steve Gullick

The latest single from Kim Deal's upcoming solo album is more than a little melancholy. Not only is it about the beginning and end of a relationship, but it's the last Kim Deal song engineered by Steve Albini. "A Good Time Pushed" sounds the most like what you'd expect a solo Kim Deal single to sound like of all the singles released so far. It also sounds the most like The Breeders, probably since it also includes Jim Macpherson and Kelley Deal of The Breeders. "A Good Time Pushed" is a laid back and highly emotional 90's style alt-rock song. It keeps enough of the Deal sound to satisfy long time fans while being accessible enough that it could have been a crossover hit if it was released twenty-five years ago.

You can watch the video for "A Good Time Pushed" below. Nobody Loves You More is due out November 22 on 4AD, and is available for pre-order here. For more on Kim Deal, check out the artist's website.

Live Shows: Miracle Blood, Sapling, and BEDTIMEMAGIC, Deep Cuts, Medford, MA 10/4/24


Some triple bills are just impossible to resist. When Miracle Blood announced they would be holding their album release show at Deep Cuts, I knew I had to make it. Mostly because Miracle Blood are a fantastic band and great live, but Sapling and BEDTIMEMAGIC were also playing the show. I try to see Sapling every chance I get, and I've been meaning to see BEDTIMEMAGIC for a while.

BEDTIMEMAGIC opened the show wearing matching pug singlets. I don't believe I knew they were a duo, but they made some of the biggest racket I've ever seen two people make. Both members (Nicholas on bass and Morgan on drums) shared vocal duties. Their sound was like a mixture of art/noise rock and hardcore. It was loud, it was impossible to ignore, and it was great. The floor of Deep Cuts rumbled during their entire set. BEDTIMEMAGIC aren't going to be accessible for everyone, but for those of us who enjoy this sort of thing, we're going to become enamored.

I've seen Sapling live a decent number of times, and every show is completely different. Friday night might have been the best of all of the times I've seen them. It seemed like everything just clicked. The three members sounded great, they were having obvious fun playing, the crowd was completely into them, and just the right amount of chaos was unfolding. The show had an added amount of noise and aggression into the songs, but in what was still a fun way. The clown box contents seemed endless and even old favorite songs were injected with a new life. 

Closing out the show was Miracle Blood. I believe this was the third time I've seen them live, and this was the best of the three. They play such a unique style of music that is definitely metal and punk without falling into any of the typical trappings of those genres. It's like a genre of metal that indie rock fans and metalheads can agree on. I had heard the band on The Struggling Artist podcast where they discussed how guitarist/vocalist Andrew Wong's vocals were like a carnival barker, and now I can't unhear that. Having in my head that he's trying to get me to play a rigged game or spend money on an attraction makes their music that much more fun now. They also brought in Rainy and Amber from Sapling and Nicholas from BEDTIMEMAGIC to perform on separate songs, which gave the entire show more of a community feel. Judging by the new songs they played, Hello Hell is going to be a late entry for album of the year when it is released in November.

Dave Del Monte & The Cross County Boys - "Werewolf Scarewolf"


My favorite of all Halloween songs are vintage, early rock 'n' roll novelty tracks. Connecticut's Dave Del Monte & The Cross County Boys play vintage style rock 'n' roll and every year they release a Halloween single. This year's is "Werewolf Scarewolf," and it's just as delightful as you need it to be. It's the type of songs that sounds like it could be at least seventy years old, which is one of the reasons it's perfect for the season. Even the Chuck Berry style guitar licks are nods to classic horror movies. "Werewolf Scarewolf" is a must add for your Halloween playlists this year, and every year after.

You can listen to "Werewolf Scarewolf" below. The song is available now via Bandcamp. For more on Dave Del Monte & The Cross County Boys, check out the band on Facebook.

First Listen for 4 October 2024

Artist: Megan From Work
Album: Girl Suit
Quick Thoughts: So this was a pleasant surprise. Megan From Work is a Manchester, NH-based indie rock act that is equal parts that dog. and Charly Bliss, and it's the sort of power pop I absolutely love. This is a band to watch, for sure, because this could catch fire the right way and they could become your next big indie thing if they keep it up. A mandatory listen, and easily the best of the week.
Songs of Note: "Saturn Return," "Loving Me," "The PIMS"

Artist: All Feels
Album: This Place is a Message
Quick Thoughts: Speaking of pleasant surprises, Northampton, MA's All Feels are new to me even if they are old to the scene. There's not one single way to pigeonhole their sound - it's got indie flavor with some psych/pop/alt notes - but the point is honestly that the songs are just so great. "Keanu" is a favorite this week, but I just kept jumping back to Spotify because song after song hit just right. Don't miss out on these guys, and if you see this, play a show in Central Mass at a reasonable hour for us old heads, please. :D
Songs of Note: "Rate of Decay," "Middling," "Keanu," "Honestly"

Artist: The Smile
Album: Cutouts
Quick Thoughts: The Thom York/Johnny Greenwood side project offers up their third album, and second of 2024, and it's awesome. While it's easy to dismiss this as the castoffs from earlier this year, there's just so much great stuff here that it feels like that era of Radiohead where even the EPs and b-sides could have been album tracks. It's a great reminder of how awesome everyone involved with this project is, and a great listen this week.
Songs of Note: "Zero Sum," "Colours Fly," "Eyes & Mouth," "No Words," "The Slip"

Artist: Matt Pond PA and Alexa Rose
Album: Call and Response
Quick Thoughts: More an EP than an album, but when two artists get together like this it's hard not to fall in love with it. "Side Eye Rolls" has been in constant rotation for me this year, and the cover of "Bitter Sweet Symphony" is absolutely gorgeous. These two are great alone, but this is kind of magical when they're working together.
Songs of Note: "Side Eye Rolls," "Bitter Sweet Symphony"

Artist: FINNEAS
Album: For Cryin' Out Loud!
Quick Thoughts: Better known as Billie Eilish's producer brother, it's insane that he's this good. What we have here is an album that just has some truly perfect pop songwriting, and knowing that it's his third album and that he also helps his sister write songs and those are great... no musician makes me wonder what I'm doing with my life quite the way Finneas does. Just listen to this one, it's great.
Songs of Note: "What's It Gonna Take to Break Your Heart?" "Cleats," "Little Window," "Sweet Cherries," "For Cryin' Out Loud!" "Family Feud"

Artist: Wild Pink
Album: Dulling the Horns
Quick Thoughts: There are some bands that feel like a "best kept secret," and I feel like Wild Pink is one of those bands. There are so many stellar songs on Dulling the Horns that it's hard to pick a favorite, but "St. Catherine St." in particular is a layered piece of songwriting that just works, and "Catholic Dracula" doesn't go where you think it will. A great, great listen.
Songs of Note: "The Fences of Stonehenge," "Eating the Egg Whole," "St. Catherine St.," "Catholic Dracula," "Rung Cold"

Artist: George Steel
Album: Desire on the Range
Quick Thoughts: This is a deeply strange, yet utterly compelling album. It's sort of like if Orville Peck was a big fan of The Darkness and also Electric Six? It's got a weird cabaret-style flair to it to go along with some truly absurd yet forever catchy tunes. It made my wife vocally ask what I was listening to, so that's a winner in my book. Won't be for everyone, but might aggressively be for you as it was for me.
Songs of Note: "Pleasure is the Place," "Irene," "Times Square Nuclear Zone"

Of note:

* Trophy Wife - Get Ugly (Great feminist punk.)
* Allie Goertz - Peeled Back (Singer-songwritery covers of Nine Inch Nails songs. Criminally great.)
* Godspeed You! Black Emperor - "NO TITLE AS OF 13 FEBRUARY 2024..." (there's some controversy on this one)
* Hayes Carll and The Band of Heathens - Hayes and The Heathens
* Kasey Chambers - Backbone
* LVCRFT - Under the Covers
* Caribou - Honey
* Chad Crouch - Oak Island Road Soundwalk
* Half Waif - See You At the Maypole
* Vitesse X - This Infinite
* Public Service Broadcasting - The Last Flight
* ARXX - Good Boy
* 65daysofstatic - Silent Running
* DJ Moves - Bass, Breaks, and VHS Tapes
* Yasmin Williams - Acadia
* GRMLN - In Memory of Young Me
* Adrian Younge and Ali Shaheed Muhammad - Jazz is Dead 021
* The Bug - Machines I - V
* Blood Incantation - Absolute Elsewhere
* La Force - XO Skeleton +
* A Place to Bury Strangers - Synthesizer
* Alessandro Cortini - NATI INFINITI
* Brett Hansen - Confluence
* Magana - DREAMS

EPs:

* Modern Chemistry - Loudest in the Room
* Joan Shelley - Mood Ring
* Carsie Blanton - The Red Album, Volume 1
* Hush - Headfooter
* ⣎⡇ꉺლ༽இ•̛)ྀ◞ ༎ຶ ༽ৣৢ؞ৢ؞ؖ ꉺლ (Four Tet) -  ​̟​̞​̝​̜​̙​̘​̗​̖​҉​̵​̴​̨​̧​̢​̡​̼​̻​̺​̹​̳​̲​̱​̰​̯​̮​̭​̬​̫​̪​̩​̦​̥​̤​̣​̠​҈​͈​͇​͉​͍​͎​͓​͔​͕​͖​͙​͚​͜​͢​͢​͢​͢​͢​͢​͢​͢​͢​͢​͢​͢​͢​͢​ͅ  ​ ​̟​̞​̝​̜​̙​̘​̗​̖​҉​̵​̴​̨​̧​̢​̡​̼​̻​̺​̹​̳​̲​̱​̰​̯​̮​̭​̬​̫​̪​̩​̦​̥​̤​̣​̠​҈​͈​͇​͉​͍​͎​͓​͔​͕​͖​͙​͚​͜​͢​͢​͢​͢​͢​͢​͢​͢​͢​͢​͢​͢​͢​͢​ͅ  ​ʅ​͡​͡​͡​͡​͡​͡​͡​͡​͡​͡​͡​(​̸​̢​̛​̼​̞​̭​͋​ͅ​)​̸​͚​̰​͛​̔​̾​̀​̿​͒​͂ ʅ​͡​͡​͡​͡​͡​͡​͡​͡​͡​͡​͡​(​)​ʃ​͡​͡​͡​͡​͡​͡​͡​͡​͡​͡ ꐑ​(​ఠ​ీ​ੂ​೧​ູ​ȯ​̶​̞​̮​͖​̑​̈​́​)​̸​̳​̥​̰​̜​̥​̺​̐​ͅ​v​̴​̢​͚​͚​͎​͎​̞​͒​͊​̎​ȯ​̶​̞​̮​͖​̑​̈​́​̿​)​̸​̳​̥​̰​̜​̥​̺​̐​ͅ​࿃​ू​ੂ​✧​⃛​✧​⃛​)​̴​͎​̜​͍​̱​̋​̌​͋​̓​̾​̚​͜ ̷​̨​̢​̥​̅​͝​ͅ​(​̸​̢​̛​̼​̞​̭​͋​ͅ​)​̸​͚​̰​͛​̔​̾​̀​̿​͒​͂
* Ada Lea - notes
* Frost Children and Haru Nemuri - Soul Kiss
* Maya Hawke - Clipped Wings

Live albums/Compilations/Reissues:

* Bad Monkey (Original Soundtrack) (Basically a Tom Petty tribute compilation, and a solid one at that.)
* Better Than Jail (Benefit album for criminal justice reform; features Margo Price, Jason Isbell, etc.)
* The Incomplete Orchestra - Bad Attraction Bee-Sides, Vol. 1
* Jason Isbell and the 400 Unit - Live from the Ryman, Vol. 2
* Aphex Twin - Selected Ambient Works Volume II (Expanded Edition)
* Joker: Folie a Deux (Music from the Motion Picture)

Also out:

* RXM Reality - No. 1 in the World

Monday, October 7, 2024

Drug Store Raid - "I Wanna Be a Hipster"


Today is apparently coolest song of the year day at If It's Too Loud... as we bring you the latest from Drug Store Raid. The Helsinki band just released "I Wanna Be a Hipster," which "... takes a playful jab at the hipster and artsy crowd, while humorously reflecting on the band's own place within the lifestyle." The song is driven by a killer bassline and some of the coolest horn around. It's an odd hybrid of post-punk, No Wave, and low rock. I heard a meshing of bands like Viagra Boys jamming with Morphine. It doesn't get much cooler than "I Wanna Be a Hipster," and Drug Store Raid have quickly become a favorite here.

You can watch the video for "I Wanna Be a Hipster" below. Background Music for Family Arguments is due out November 15 on Kieku Records. For more on Drug Store Raid, check out the band on Instagram.

Weegee - "Spellbound"


Brooklyn's Weegee have released a new single that has one of the coolest sounds we've heard this year. "Spellbound" can best be described as dirty blues, but it more uses that genre as a template to then go and explore with. The song kind of sounds like it's being played at half speed, and there is an almost disturbing amount of fuzz and noise layered all over it. "Spellbound" has a sound like prime Velvet Underground time travelled to the early 80's to jam with Sonic Youth, and they decided to play some blues covers. If that doesn't make you press play on the latest from Weegee, I don't know what possibly could.

You can listen to "Spellbound" below. Primitive Thrill is due out on October 31 via Dot Dash Sounds, and is available for pre-order through Bandcamp. For more on Weegee, check out the band on Instagram.

The Boy Detective featuring J. Navarro - "For the Record, I'm Not a Cannibal Anymore"


Last week we brought you the new Halloween song from Half Dizzy, and this week we're bringing you the second side of that split 7". "For the Record, I'm Not a Cannibal Anymore" is from Detroit's The Boy Detective. Much like The Faceless, this side features guest appearances: J. Navarro from The Suicide Machines supplying vocals and Eric Abbey from J. Navarro and the Traitors on keys. "For the Record, I'm Not a Cannibal Anymore" is a chilled out ska track... at least until the end when the speed and noise speeds up into a ska-punk burst. As with any ska song, The Boy Detective have delivered a fun song, and one with a pretty sly sense of humor. This is perfect for a Halloween song, and even pulls off the spooky vibe even without the lyrical content.

You can listen to "For the Record, I'm Not a Cannibal Anymore" below. The 7" will be out on Punkerton Records, and is available for pre-order here. For more on The Boy Detective, check out the band on Instagram and Facebook.

Live Shows: The Get Up Kids and Smoking Popes, Big Night Live, Boston, MA 10/3/24

The Get Up Kids
Photo by Ken Sears

The Get Up Kids are one of those bands that have always been a guilty pleasure for me. When I discovered them, I felt like I was too old to be into them. That's probably because I was in my early to mid 20's and a lot of their fans were teenagers. Plus, my music snobbery hated to admit I liked a popular emo band. But, Something to Write Home About was always my go to album of theirs. I'd pull it out and listen every six to nine months or so and be blown away at how great it was as a whole. When The Get Up Kids announced they were going on a twenty-fifth anniversary tour for that album and playing it in full, I knew I couldn't miss it.

Smoking Popes
Photo by Ken Sears

Smoking Popes opened the show, and I was embarrassingly not familiar with them. They've long been a band I've known was great and always meant to spend more time listening to them, but for whatever reason I just never did. Well, turns out they are fantastic. They're defined as a pop punk band, but I heard more 90's post grunge alt-rock than anything else. They're one of those bands I was aware of in the 90's, but just missed out on, so now I'm angry at myself since I could have been enjoying them for the past thirty years. Luckily, they promised a new album in the near future followed by a tour, so we have that to look forward to. The only problem with their set was the crowd was a bit lackluster. The applause was there, but with a few exceptions, the audience mostly just stood and watched, which led me to expect a dead crowd all night.

Smoking Popes
Photo by Ken Sears

Turns out the crowd of mostly thirty and forty somethings was just saving up their energy, because they exploded once The Get Up Kids took the stage. Opening with "Holiday" certainly didn't hurt, as that is one of the greatest set opening tracks of all time. There was even crowdsurfing starting off with "Action & Action," which truly surprised me because I assumed all of our crowdsurfing days were long behind us. It seemed like the completely packed venue was screaming along to most lyrics, but especially the opening "Come tomorrow, I'll be on my way back home" from "I'm a Loner Dottie, a Rebel." And who could resist doing that?

The Get Up Kids
Photo by Ken Sears

I assumed after they finished with Something to Write Home About, The Get Up Kids would come back for a two or three song encore. Instead, they came back for nine songs, almost matching the length of the main set. Almost half those songs came from 1997's Four Minute Mile, so nostalgia was certainly the theme of the night. And, of course, they played "Mass Pike" during the encore.

This was the third time I've seen The Get Up Kids live, but the first in over twenty years. Thursday night's show at Big Night Live was the best they've ever been. Age certainly hasn't slowed them down at all. Although I'm sure more than a few audience members were taking some extra Advil Friday morning.

Friday, October 4, 2024

PINKLIDS - "JUNKY GARDEN"


I first discovered PINKLIDS way back in January 2023 at a live show, and have been anticipating hearing an official release from the Wareham, MA band ever since. Last month they finally released an official single with "JUNKY GARDEN." After their live show, I had commented that they refused to adhere to a single genre and their sound was all over the place (in the best possible way). "JUNKY GARDEN" continues that vibe, mainly sounding like a cross between The B-52's and ? and the Mysterians. It's a crazed and fun version of New Wave mixed with vintage garage rock. But it's also heavier than that, with some elements of punk and thrash sprinkled in. We've been waiting two years for an official release from PINKLIDS, and it was completely worth it.

In a Bandcamp post, the band explains the meaning behind the song:

"Skater dude has an existential crisis when a sheet of LSD seeps into his skin after getting caught outside in the rain. RIP."

You can watch the video for "JUNKY GARDEN" below. For more on PINKLIDS, check out the band on Facebook and Instagram.