Spaghetti & Frank is the collaboration of Eddie Spaghetti of the Supersuckers and Frank Meyer of The Streetwalkin' Cheetahs. The duo decided to cover Tom Petty's 1987 classic "Jammin' Me," from the wildly overlooked album Let Me Up (I've Had Enough). It's not a straight up cover, as Spaghetti & Frank have updated some of the lyrics. Since Petty's original discussed the pop culture of the day, such as Joe Piscopo and Eddie Murphy, Spaghetti & Frank used it to discuss more current celebrities like Paris Hilton, Bill Cosby, and Mar-a-Largo. Plus, as you would assume, the cover rocks much harder, going more towards Spaghetti & Frank's punk roots and less in the post New Wave of Petty's.
You can watch the video for Spaghetti & Frank's version of "Jammin' Me" below. The song is available as a single via Acetate Records. You can download a copy of the song via the band's Bandcamp.
Photo by Alexa Viscius This may be Liam Kazar's debut single, but the Chicago based musician already has an impressive resume, having worked with Jeff Tweedy, Chance the Rapper, Steve Gunn, Daniel Johnston, and others. "Shoes Too Tight" features childhood friend Spencer Tweedy on drums, Lane Beckstrom on bass, and Ohmme on vocals. It's an absurdly fun and groovy little song that is a party waiting to happen. What he gives us here is a timeless song that could truly have been released any time since the 1960's (ok... maybe not the 80's...) There are elements of classic rock, 60's crooners and R&B, indie rock, modern Americana... it's really just packed with everything in a cohesive song that maintains the vibe the entire way through. You can watch the video for "Shoes Too Tight" below. For more on Liam Kazar, check him out on Instagram and Twitter . He's also raising money on his Bandcamp for Constellation and The Hungry Brain. ...
Photo via Facebook When you're a rock band from Salem, MA, you have to have at least one song about witchcraft. The Freqs have fulfilled their obligation with a banger of a song. "Witch" is this giant monster of a song, filled with fuzz and strained, screaming vocals. This is the type of song that doesn't usually exist in this century. It's giving me some serious 90's flashbacks, like if Hum got aggressive or Alice in Chains decided to do some damage on the college charts. As great as the vocals are in "Witch," what's really drawing me in is the instrumental break down that takes over about halfway through. This is the kind of song to make the hipsters and the headbangers equally excited. You can listen to "Witch" below. For more on The Freqs, check out the band on Facebook and Instagram . The Freqs · Witch
One of my favorite things is going to see a diverse live bill. Anyone can put together a show with three pop punk bands on it, but it's a challenge (and far more interesting) to put three unique bands on the same show and have it work out perfectly. Saturday night at The Sinclair saw the steamcrunk of Walter Sickert & The Army of Broken Toys, doombrass heroes Eight Foot Manchild, and the baroque pop of Lovina Falls, and it was perfect. Opening the show was Lovina Falls, the current musical project of Valerie Forgione of Mistle Thrush. This was my third or fourth time seeing them in just a few months, and I'm still entertained every time. It's been interesting to watch Lovina Falls adjust and discover their sound over the past two or so years, and I think they've nailed their current sound down. It's an engaging blend of the baroque pop they started out with mixed with a more rock based sound. Songs like "Ellery Way" and "Vaulted" continue to ...