If It's Too Loud...

Toadies and Local H are two bands who seem to finally be getting the respect they deserve. I've never heard anything but gushing praise after a Local H live show, and Toadies have one of the most underrated catalogs in music. Plus, their music has aged surprisingly well. If you haven't listened to Local H's As Good As Dead or Toadies' Rubberneck  for a while, I guarantee they are far better than you remember. Plus, I haven't seen either band live in decades, so when they announced a tour together, I instantly wanted to go. (Apologies to Vandoliers for missing their set. They're a band I adore, and they rarely make it up to Boston, but the early start time and my schedule didn't work out.) The shocking thing about the crowd for Local H was just how young it was. There were some forty and fifty-somethings speckled in the crowd, but the majority was Gen Z. And The Kids got a masterclass in 90's alternative rock. As I said, they were always a surprisingly gr...

Photo by Ingrid Pop 2023 seems to be the year of finally seeing bands I've been a fan of for decades but have just never seen. The latest on that list was Slowdive. The shoegaze legends played a show earlier this week at the House of Blues that sold out almost instantaneously. It was a strange night on Lansdowne St, with lines for Slowdive and Boygenius all the way down the street to Brookline Ave. The wait to get into the venue felt as long as my wait to see Slowdive, so would it be worth the wait? Simply put... yes. And then some. Slowdive have been doing this for a long time, and they have mastered their genre and performing live. It's kind of a joke that shoegaze bands are boring live since they don't put on any show besides just standing there. Anyone who has ever told that joke has never seen Slowdive. Sure, they didn't jump around on stage, but they had the all ages crowd in the palm of their hand as soon as they played their first note. Singer Rachel Goswell sta...

As soon as Cypress Hill announced the dates for this year's Haunted Hil shows, I knew I wanted to go. I had only seen Cypress Hill once way back in 2000 when they were touring with the Offspring. They were more of an opener, and it was when they were playing more as a rock band on the heels of "(Rock) Superstar," and I always had wanted to see their rap show more. And then they announced KRS-One as an opener, who I only saw once in 2004. This was at Worcester Polytechnic Institute, and it seemed to be half lecture and half performance. How could I resist two of my high school favorites playing together? Ill Bill opened the show with his fellow La Coka Nostra member Slaine serving as hype man. They went on before the announced start time for a quick fifteen to twenty minute set to warm up the crowd. It's hard to review such a short set, but Ill Bill did exactly what he was there for. He got the attention of a crowd that was still milling about and got them hyped for th...

Photo by Cara Totman It takes a lot to get me to go out to the House of Blues. It's just a huge (by my standards) venue that rarely has artists I like playing. Plus, I hate parking near Fenway Park, and in the winter I hate a $5.00 coat check. But, how could I possibly say no to a double bill of Massachusetts rock legends Dinosaur Jr and The Lemonheads? Seeing as this was a Big Rock Show opening up for another band at a huge hometown venue, I assumed this would be a night of big hits for Evan Dando and The Lemonheads. I was happily wrong. Sure, they played a ton of fan favorites, but they were hardly the bigger hits. There was no "Into Your Arms" or "It's a Shame About Ray" played on this Saturday night, and definitely no "Mrs. Robinson." This might have been the first time I've seen The Lemonheads or Evan Dando without them playing "The Outdoor Type." The more well known songs played this night were "If I Could Talk I'd Tell...

The week between Christmas and New Year's is usually a pretty dull one, but it holds what has become one of my favorite holiday traditions: My now annual trip to the House of Blues to see the Mighty Mighty Bosstones for their Hometown Throwdown. This year they lessened the usual holiday theme and instead dedicated their entire three show run to The Rat, the legendary Boston punk club that used to be located across the Mass Pike from the House of Blue in Kenmore Square. For their openers, they chose bands they knew from their days of playing The Rat. For Sunday night, their openers were The Real Kids and The Queers. As I walked in, I noticed a list of set times posted at the door. The Real Kids had to drop out at the last minute due to John Felice being hospitalized. It was a huge disappointment, especially because I had never heard of their replacement, Unnatural Axe. Turns out Unnatural Axe are the  Boston punk originators, and started playing shows at The Rat in 1978. As th...

For what has become an annual trek for me, the day after Christmas I headed into Boston for the 17th Hometown Throwdown put on by the Mighty Mighty Bosstones . I am pretty much guaranteed to go every year at this point, choosing which date solely based on the openers. This year's winner was Fishbone. Fishbone opened unbelievably strong, with their first song being "Party at Ground Zero." It's always a bold move to open with your most well known song, but since I have a feeling a good chunk of the crowd was unfamiliar with the ska-punk pioneers, it made sense. They tore into "Ugly" next, followed by "Lyin' Ass Bitch." From there, the show seemed to tone down quite a bit. Some youths behind me remarked that Fishbone wasn't bad, but they were ready for them to be done. Since they only played 8 songs total, I hate to admit I agreed. I'm sure a full headlining set would be a better choice instead of an abbreviated opening set. They clos...