If It's Too Loud...

Britt Daniel of Spoon Photo by Ken Sears As one of the announcers said, Saturday at the Green River Festival was a marathon. I got there early for Lily Seabird and stayed late for Spoon. It was over ten hours of diverse music, from Americana and folk to cumbia to indie rock to experimental music. It was absolutely exhausting, in the best possible way as I tried to take in everything possible. Here are my highlights from day two! Lily Seabird, Backporch Stage I've been trying to see Lily Seabird live for almost three years now, and the Green River Festival finally let it happen. My expectations were high, and she and her band blew them completely away. I had meant to watch half of her set and then head over to Dean's Beans Stage for the second half of The Animeros, but I was transfixed by Seabird's set. Live she seemed to lean into her more indie rock side with folk elements. It was kind of like if Nirvana or Sonic Youth decided to try out Americana. Lily Seabird set the bar...

It's just starting to get uncomfortably cold here in New England, so we're already starting to look forward to warm temperatures. Plus, warm temperatures means festival season, and Green River Festival has given us something to look forward to in June! Their 2026 edition will take place June 19-21 at Franklin County Fairgrounds with another fantastic line up. The headliners will get the most attention, with the neotraditional country of Charley Crockett, indie rock veterans Spoon, and experimental rockers Geese. We're thrilled for the undercard of this one, with many favorites playing like The Beths, Kurt Vile & The Violators, Wednesday, Lucius, The War and Treaty, Hurray for the Riff Raff, Folk Bitch Trio, Ratboys, Sunny War, Lily Seabird, and Tre Burt! Plus, there's plenty for us to discover in the next eight months as we get ready for the festival! Three day passes for the 2026 Green River Festival are on sale now. For tickets and more information, check out the ...

An interesting release week. Album of the Week : Artist : Frances Album : Things I've Never Said Quick Description : Compelling singer-songwritery tunes. Why You Should Listen : You like arresting music that surprises you. Overall Thoughts : I went in blind on Frances for the most part – I feel like I heard a song once upon a time, but that’s neither here nor there. This album really surprised me, which is why it’s my pick for album of the week. Haunting is the wrong word, because I feel like there’s a connotation to that idea that goes with a darker tone or a more ethereal take on the music. It’s not traditional folk, but it’s not standard/modern singer-songwriter fare, either. On first listen? It just feels different. And immediate. And essential. It’s an album that didn’t want to be in the background and kept commanding my attention, which doesn’t happen a whole lot in this way. I truly loved this, and I look forward to spending more time with it to see where it...

Spoon's latest album, They Want My Soul , has been in constant, persistent rotation for some time now, and after taking the holiday weekend off from mix-making, I figured a good way to usher us back in would be to offer some of the best songs that Spoon has released. Longtime fans will almost certainly disagree with how recent-heavy this mix is, but I've found the band to be much more cohesive as they've aged than perhaps the hardcore fans might. I'd love to hear a mix of songs people think I've missed out on, however, so if you have one, please share. In the meantime, enjoy!

A very packed week this week, so let's not waste any time. Katie Kate - Nation : I didn't know of Katie Kate before this week, and she sometimes raps on this always electronic album that combines some electro and synth on this interesting album. I'm going to need to spend some time with it, I think, to really see if it has staying power, but this was an interesting listen for me on a whole. If you dug the Princess Superstar from a few weeks ago, this might be worth a shot for you. Tuatara - Underworld : I've been a fan of Tuatara since their first album nearly 20 years ago. I only got into it because it was a Peter Buck side project, but I became a fan in general pretty quickly. The downside to the group was that, as it expanded, it moved away a bit from its instrumental, experimental world music roots into something a little more broad, to the point that they actually had some basic vocal albums of late. Underworld , thankfully, is a return to the early albums...