The latest single from Olden Yolk, "Vital Sign," is a little more mainstream than "Takes One to Know One." That's not to say it's not still a little odd, but it's not quite as freak folk based as their previous single. Most of "Vital Sign" stays fairly mainstream neo-folk, although as far to the edge of mainstream that a band can go. Musically, it's straightforward. Vocally, the styling is a bit too monotone like a Nico sung song from The Velvet Underground. The late period Sonic Youth influence is all but missing, until we get to the bridge. That's when the song gets into a strange, high pitched organic feedback sound. It could be a guitar, but it could also be a flute or a harp. I'm not 100% sure, but it adds some intrigue to an already great song. You can watch the video for "Vital Sign" below. Olden Yolk's debut self-titled album will be out February 23 on Trouble in Mind. You can pre-order a copy here. For more on Olden Yolk, check out their Bandcamp. Their current tour dates are below the video.
Sat. Feb 17 – Philadelphia, PA @ Boot & Saddle Sat. Feb 24 – Brooklyn, NY @ Union Pool Sat. March 3 – Boston, MA @ Lilypad Thu. March 29 – London, UK @ Café Oto
Photo by Alexa Viscius This may be Liam Kazar's debut single, but the Chicago based musician already has an impressive resume, having worked with Jeff Tweedy, Chance the Rapper, Steve Gunn, Daniel Johnston, and others. "Shoes Too Tight" features childhood friend Spencer Tweedy on drums, Lane Beckstrom on bass, and Ohmme on vocals. It's an absurdly fun and groovy little song that is a party waiting to happen. What he gives us here is a timeless song that could truly have been released any time since the 1960's (ok... maybe not the 80's...) There are elements of classic rock, 60's crooners and R&B, indie rock, modern Americana... it's really just packed with everything in a cohesive song that maintains the vibe the entire way through. You can watch the video for "Shoes Too Tight" below. For more on Liam Kazar, check him out on Instagram and Twitter . He's also raising money on his Bandcamp for Constellation and The Hungry Brain. ...
How is Dutch ReBelle not a national superstar at this point? The Boston MC just released "GOONIEZ," and I know I'm a bit out of touch with current mainstream hip hop, but this song is absolutely killer. It's a stripped down hip hop song that has this futuristic space age sound to it. Plus, ReBelle's flow is unsurpassed. You can't listen to her and not be completely sucked in. The song has a feel reminiscent of classic Missy Elliott. As much as I love that we can still see Dutch ReBelle in smaller Boston venues, "GOONIEZ" proves she should be playing much larger venues nationwide very, very soon. You can watch the video for "GOONIEZ" below. For more on Dutch ReBelle, check out the artist's website .
Photo via Facebook When you're a rock band from Salem, MA, you have to have at least one song about witchcraft. The Freqs have fulfilled their obligation with a banger of a song. "Witch" is this giant monster of a song, filled with fuzz and strained, screaming vocals. This is the type of song that doesn't usually exist in this century. It's giving me some serious 90's flashbacks, like if Hum got aggressive or Alice in Chains decided to do some damage on the college charts. As great as the vocals are in "Witch," what's really drawing me in is the instrumental break down that takes over about halfway through. This is the kind of song to make the hipsters and the headbangers equally excited. You can listen to "Witch" below. For more on The Freqs, check out the band on Facebook and Instagram . The Freqs · Witch
