The latest single from Olden Yolk, "Vital Sign," is a little more mainstream than "Takes One to Know One." That's not to say it's not still a little odd, but it's not quite as freak folk based as their previous single. Most of "Vital Sign" stays fairly mainstream neo-folk, although as far to the edge of mainstream that a band can go. Musically, it's straightforward. Vocally, the styling is a bit too monotone like a Nico sung song from The Velvet Underground. The late period Sonic Youth influence is all but missing, until we get to the bridge. That's when the song gets into a strange, high pitched organic feedback sound. It could be a guitar, but it could also be a flute or a harp. I'm not 100% sure, but it adds some intrigue to an already great song. You can watch the video for "Vital Sign" below. Olden Yolk's debut self-titled album will be out February 23 on Trouble in Mind. You can pre-order a copy here. For more on Olden Yolk, check out their Bandcamp. Their current tour dates are below the video.
Sat. Feb 17 – Philadelphia, PA @ Boot & Saddle Sat. Feb 24 – Brooklyn, NY @ Union Pool Sat. March 3 – Boston, MA @ Lilypad Thu. March 29 – London, UK @ Café Oto
Photo by Mary Dorsi Asbury Park's Yawn Mower had two goals for their upcoming album. First, after playing their hometown's Sea.Hear.Now festival, they wanted to write songs that worked on a larger stage. Second, they wanted the album to be their Pinkerton , "A raw, rough around the edges, noisier follow up to [their] debut album." The first song from that album is "Rascal," a song partly about the kids of their friends and family. It's a fun track that includes lines like "Here he comes now what a little asshole." It's a quirky and noisy indie rock track that reminds me of an edgier Fountains of Wayne. As anti-kid as the song may seem, you can tell it's not done seriously and there is a ton of love behind the track. Vocalist/guitarist Mike Chick says of the band's upcoming album: “While Dana Yurcisin (bass), Rudy Meier (guitar), and Nicole Scorsone (violin) have certainly helped fill out past releases, this was the first time that ...
Photo by Tanner Deutsch Rocket have been making 90's inspired alt-rock, but their latest single ups the ante on that sound. "Wide Awake" is a mixture of shoegaze fuzz and the more jagged style of guitars that made me love Sonic Youth. Singer/bassist Alithea Tuttle's vocals have a dreamlike quality suited to dream pop or shoegaze, which contrasts delightfully with the more aggressive parts of the song. Despite not truly sounding like a song made in the 90's, "Wide Awake" has so many elements of that decade to give you little bursts of nostalgia. Plus, the video for the song is like a cross between Blur's "Charmless Man" and Beastie Boys' "(You Gotta) Fight for Your Right (to Party)," in case you need a little more nostalgia thrown in. Rocket say of their new single: “R is for Rocket is about relationships, the most important part of life; relationships with your friends, your parents, your girlfriend or boyfriend, and most impo...
Photo by Sultana Garritano Brooklyn's DJ Haram has a new single out that shows off her trademark boom bap sprinkled with Middle Eastern instrumentation sound. "Fishnets" features verses from Bbymutha, SHA RAY, and August Fanon, and has an intense and almost menacing vibe, despite being an absolute banger of a track. It's hypnotic and immediately grabs your attention, and if you're unfamiliar with the trio of rappers on the song, you're sure to start pulling up their bodies of work. "Fishnets" is one of those songs that just feels cool and makes you need to hear more from all of the artists involved. DJ Haram says of her latest single: "‘Fishnets’ is for the eclectic bad bitches. The people united will never be defeated." You can listen to "Fishnets" below. Beside Myself is due out July 18 on Hyperdub, and is available for pre-order here . For more on DJ Haram, check out the artist on Instagram and Twitter . Upcoming tour dates a...
