Joey Quiñones - "Don't Let Go"

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Photo by Paloma Louise

When Joey Quiñones of Thee Sinseers released his first solo single, "Driftin'," the press release said that it was a combination of soul and rocksteady. I personally didn't hear it, but that's not the case with his latest single. "Don't Let Go" is pure rocksteady meets soul. Particularly the horn and guitar are unmistakably rocksteady, but Quiñones' vocals hit this interesting middle ground between the two styles. This is perfect for fans of both vintage soul and any blend of reggae/ska. "Driftin'" had us excited to hear his upcoming album, but "Don't Let Go" has us dying to hear more.

You can listen to "Don't Let Go" below. Inna Soul Steady Situation is due out May 29 on Colemine Records, and is available for pre-order here. For more on Joey Quiñones, check out the artist on Instagram.

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Rocket - "Wide Awake"

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Photo by Tanner Deutsch Rocket have been making 90's inspired alt-rock, but their latest single ups the ante on that sound. "Wide Awake" is a mixture of shoegaze fuzz and the more jagged style of guitars that made me love Sonic Youth. Singer/bassist Alithea Tuttle's vocals have a dreamlike quality suited to dream pop or shoegaze, which contrasts delightfully with the more aggressive parts of the song. Despite not truly sounding like a song made in the 90's, "Wide Awake" has so many elements of that decade to give you little bursts of nostalgia. Plus, the video for the song is like a cross between Blur's "Charmless Man" and Beastie Boys' "(You Gotta) Fight for Your Right (to Party)," in case you need a little more nostalgia thrown in. Rocket say of their new single: “R is for Rocket is about relationships, the most important part of life; relationships with your friends, your parents, your girlfriend or boyfriend, and most impo...
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Yawn Mower - "Rascal"

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Photo by Mary Dorsi Asbury Park's Yawn Mower had two goals for their upcoming album. First, after playing their hometown's Sea.Hear.Now festival, they wanted to write songs that worked on a larger stage. Second, they wanted the album to be their Pinkerton , "A raw, rough around the edges, noisier follow up to [their] debut album." The first song from that album is "Rascal," a song partly about the kids of their friends and family. It's a fun track that includes lines like "Here he comes now what a little asshole." It's a quirky and noisy indie rock track that reminds me of an edgier Fountains of Wayne. As anti-kid as the song may seem, you can tell it's not done seriously and there is a ton of love behind the track. Vocalist/guitarist Mike Chick says of the band's upcoming album: “While Dana Yurcisin (bass), Rudy Meier (guitar),  and Nicole Scorsone (violin) have certainly helped fill out past releases, this was the first time that ...
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Smitt E. Smitty & The Fezztones Covers Trick Wallace

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Photo courtesy Smitt E. Smitty Boston garage and art-rockers Smitt E. Smitty & The Fezztones return with a new single. "Big Ass American Car" is a killer track originally done by Trick Williams that brings the weirdo art vibe to garage rock. It's the kind of song that has all of the elements of a straightforward garage rock song, but that wouldn't exactly be the Smitt E. Smitty & The Fezztones' way. It's a little dark, a little funny, and all rock and roll. If I had to compare "Big Ass American Car" to any other artist, it would be Frank Zappa's songs that made it on Dr. Demento. "Big Ass American Car" is a fun song that takes a biting look at American culture in the form of a kick ass rock song. Smitt E. Smitty says of his band's latest single: “‘Big Ass American Car’ is a song about the culture of cars in America, and the American culture in general. When the popularity of American-made cars started to diminish between the...
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