The Art of Forgetting is shaping up to be Caroline Rose's masterpiece. If last month's "Miami" didn't convince you of that, "The Doldrums" will. This new song is a synth heavy dreamlike meditation. The term hypnotic gets thrown a lot in regards to music, but "The Doldrums" encapsulates that term perfectly. Calling a song hypnotic usually implies a certain level of calm to describe the song, but Rose's latest is anything but calm. Quiet, yes, but there is an underlying sense of anxiety throughout this one. The song might be beautiful, but there is an unexpected anxiety in "The Doldrums."
Caroline Rose says of their new song:
“‘The Doldrums’ was the song I wrote when I was realizing I had basically no understanding of self-compassion. It’s about the voice inside my head that blames me for everything that’s ever gone wrong, mostly things out of my control. My idea of rebirth and reformation at the time was killing off my old self and finding a new one, rather than simply being kind to myself…Not because I didn’t want to be, but because I didn’t really know how.”
You can watch the video for "The Doldrums" below. The Art of Forgetting is due out March 24 on New West Records. You can pre-order the album here. For more on Caroline Rose, check out the artist's website. Upcoming tour dates are below the video.
Fri. March 31 - Saratoga Springs, NY @ Arthur Zankel Music Center Sat. April 1 - Montreal, QC @ Petit Campus Tue. April 4 - Burlington, VT @ Higher Ground Wed. April 5 - Burlington, VT @ Higher Ground Thu. April 6 - Boston, MA @ Royale Sat. April 8 - Toronto, ON @ Horseshoe Tavern - SOLD OUT Sun. April 9 - Pittsburgh, PA @ Mr. Smalls Theatre Tue. April 11 - Philadelphia, PA @ Union Transfer Wed. April 12 - New York, NY @ Webster Hall Fri. April 14 - Washington, DC @ 9:30 Club Sat. April 15 - Richmond, VA @ Richmond Music Hall Sun. April 16 - Carrboro, NC @ Cat’s Cradle Tue. April 18 - Asheville, NC @ The Orange Peel Wed. April 19 - Nashville, TN @ Brooklyn Bowl Fri. April 21 - Chicago, IL @ Thalia Hall Sat. April 22 - Milwaukee, WI @ Turner Hall Ballroom Sun. April 23 - Minneapolis, MN @ First Avenue Tue. April 25 - Denver, CO @ The Gothic Theatre Fri. April 28 - Seattle, WA @ The Showbox Sat. April 29 - Portland, OR @ Wonder Ballroom Wed. May 3 - San Francisco, CA @ The Fillmore Fri. May 5 - Los Angeles, CA @ The Fonda Theatre Sat. May 6 - Pioneertown, CA @ Pappy & Harriet's Sun. May 21 - Guadalajara, MX @ Corona Capital Sat. May 27 - Hamburg, DE @ Nochtspeicher Mon. May 29 - Cologne, DE @ Stadtgarten Wed. 31 May - Manchester, UK @ Band on the Wall Thu. 1 June - Dublin, IE @ Whelan's Sat. 3 June - Glasgow, UK @ Stereo Sun. 4 June - Bristol, UK @ Exchange Mon, 5 June - London, UK @ HEAVEN Wed. June 7 - Brighton, UK @ Patterns Sat. June 10 - Zurich, Switzerland @ Bogen F Tue. June 13 - Brussels, BE @ AB Wed. June 14 - Amsterdam, NL @ Paradiso (Upstairs) Fri. June 16 - Paris, FR @ La Hasard Ludique Sat. June 17 - Mannheim, DE @ Maifeld Derby Sun. June 18 - Duisburg, DE @ Traumzeit Festival
Photo by Rachel Cassels The Cairo Gang is mostly Emmett Kelly, who recorded most of their upcoming album, Goes Missing, on his own while travelling. "Be What You Are" is pure pop gold, reminiscent of British invasion bands like The Kinks and The Zombies. It features jangly guitars and some of the most infectious layered vocals you've heard in years. Luckily the beauty of this style of music is that it never quite sounds dated. It might sound like it's from a certain era that happened 50 years ago, but everything you've ever listened to since then borrows so heavily from it that it always sounds current. It's the kind of music you wish you hadn't missed, only now you haven't. Goes Missing is due out June 23rd on God? Records. You can pre-order the album now, and be sure to check out The Cairo Gang's Facebook . Listen to "Be What You Are" below, and below that are tour dates, many opening for Mikal Cronin. Sat. Sept. 5 - Portlan...
Photo by Ebru Yildiz Somehow TORRES keeps surprising us with her music. The musical project of Mackenzie Scott has released a new single that features her vocals and acoustic guitar that would feel at home in a neo-folk song over a pre-programmed drum beat with sounds that at times are either a light squall of guitar feedback and electronic noises. The song has this haunting and unsettling feeling to it, despite sounding like it's trying to be upbeat. I'd say art doesn't always have to be a pleasant experience, but "I got the fear" can be a pleasant listening experience, except for the times it's not. Mackenzie Scott says of her latest single: “A collective dread has been mounting. Everyone I know is having a brawl with the universe, with themselves…wars, climate catastrophe, a pandemic, the worldwide regression on human rights, the political hellscape — it affects everybody, and I know we’re all feeling it in waves of varying degree all the time. I think it’s...
Photo by Mary Dorsi Asbury Park's Yawn Mower had two goals for their upcoming album. First, after playing their hometown's Sea.Hear.Now festival, they wanted to write songs that worked on a larger stage. Second, they wanted the album to be their Pinkerton , "A raw, rough around the edges, noisier follow up to [their] debut album." The first song from that album is "Rascal," a song partly about the kids of their friends and family. It's a fun track that includes lines like "Here he comes now what a little asshole." It's a quirky and noisy indie rock track that reminds me of an edgier Fountains of Wayne. As anti-kid as the song may seem, you can tell it's not done seriously and there is a ton of love behind the track. Vocalist/guitarist Mike Chick says of the band's upcoming album: “While Dana Yurcisin (bass), Rudy Meier (guitar), and Nicole Scorsone (violin) have certainly helped fill out past releases, this was the first time that ...
