The Art of Forgetting is shaping up to be Caroline Rose's masterpiece. If last month's "Miami" didn't convince you of that, "The Doldrums" will. This new song is a synth heavy dreamlike meditation. The term hypnotic gets thrown a lot in regards to music, but "The Doldrums" encapsulates that term perfectly. Calling a song hypnotic usually implies a certain level of calm to describe the song, but Rose's latest is anything but calm. Quiet, yes, but there is an underlying sense of anxiety throughout this one. The song might be beautiful, but there is an unexpected anxiety in "The Doldrums."
Caroline Rose says of their new song:
“‘The Doldrums’ was the song I wrote when I was realizing I had basically no understanding of self-compassion. It’s about the voice inside my head that blames me for everything that’s ever gone wrong, mostly things out of my control. My idea of rebirth and reformation at the time was killing off my old self and finding a new one, rather than simply being kind to myself…Not because I didn’t want to be, but because I didn’t really know how.”
You can watch the video for "The Doldrums" below. The Art of Forgetting is due out March 24 on New West Records. You can pre-order the album here. For more on Caroline Rose, check out the artist's website. Upcoming tour dates are below the video.
Fri. March 31 - Saratoga Springs, NY @ Arthur Zankel Music Center Sat. April 1 - Montreal, QC @ Petit Campus Tue. April 4 - Burlington, VT @ Higher Ground Wed. April 5 - Burlington, VT @ Higher Ground Thu. April 6 - Boston, MA @ Royale Sat. April 8 - Toronto, ON @ Horseshoe Tavern - SOLD OUT Sun. April 9 - Pittsburgh, PA @ Mr. Smalls Theatre Tue. April 11 - Philadelphia, PA @ Union Transfer Wed. April 12 - New York, NY @ Webster Hall Fri. April 14 - Washington, DC @ 9:30 Club Sat. April 15 - Richmond, VA @ Richmond Music Hall Sun. April 16 - Carrboro, NC @ Cat’s Cradle Tue. April 18 - Asheville, NC @ The Orange Peel Wed. April 19 - Nashville, TN @ Brooklyn Bowl Fri. April 21 - Chicago, IL @ Thalia Hall Sat. April 22 - Milwaukee, WI @ Turner Hall Ballroom Sun. April 23 - Minneapolis, MN @ First Avenue Tue. April 25 - Denver, CO @ The Gothic Theatre Fri. April 28 - Seattle, WA @ The Showbox Sat. April 29 - Portland, OR @ Wonder Ballroom Wed. May 3 - San Francisco, CA @ The Fillmore Fri. May 5 - Los Angeles, CA @ The Fonda Theatre Sat. May 6 - Pioneertown, CA @ Pappy & Harriet's Sun. May 21 - Guadalajara, MX @ Corona Capital Sat. May 27 - Hamburg, DE @ Nochtspeicher Mon. May 29 - Cologne, DE @ Stadtgarten Wed. 31 May - Manchester, UK @ Band on the Wall Thu. 1 June - Dublin, IE @ Whelan's Sat. 3 June - Glasgow, UK @ Stereo Sun. 4 June - Bristol, UK @ Exchange Mon, 5 June - London, UK @ HEAVEN Wed. June 7 - Brighton, UK @ Patterns Sat. June 10 - Zurich, Switzerland @ Bogen F Tue. June 13 - Brussels, BE @ AB Wed. June 14 - Amsterdam, NL @ Paradiso (Upstairs) Fri. June 16 - Paris, FR @ La Hasard Ludique Sat. June 17 - Mannheim, DE @ Maifeld Derby Sun. June 18 - Duisburg, DE @ Traumzeit Festival
Photo by Tonje Thilesen Ezra Furman has to be one of the most unique and yet all encompassing artists out today. Her latest single, "Forever In Sunset," combines elements of singer/songwriter fare, electronic music, and indie rock. It's an intense song that is almost a power ballad but is a little too heavy at times for that. It's a mish-mash of glam, adult contemporary, and post punk. That should not work at all, but most artists aren't Furman who apparently can do literally anything musically and make it masterful. Ezra Furman says of her new song: “The biggest influence on the lyrics of this song is a conversation I had with a friend of mine. When Covid was first hitting, she was talking to me a lot about how ready she felt. She was like, ‘people who have been comfortable in life are freaking out right now. But queer people like me have been in crisis before. I grew up poor and my family kicked me out when I was a teenager. My world has already ended plenty of ...
Photo by Gia Smith There's prolific, and then there's Derek Smith. The Boston musician's latest single with the Cosmic Vultures, "Hollow Choir," is his eightieth song in the past eight years. It also helps explain the genre psychedelic folk-rock. The song is a little over three minutes, but the genre makes it feel much more epic. It's smooth sounding with trippy little flourishes, particularly in the guitar. At times, it sounds almost Adult Contemporary, but it's far too psychedelic for that. It's the play between the mainstream and the alternative side of folk that makes "Hollow Choir" work so well. Derek Smith and the Cosmic Vultures have long had this ability to provide a little something for everyone, and their latest proves that more than previous ones have. Derek Smith says of his latest single: “This song sums up the feelings I have had towards my music career for the last few years. I am always being told what I should do or what I sh...
Photo by Ebru Yildiz Somehow TORRES keeps surprising us with her music. The musical project of Mackenzie Scott has released a new single that features her vocals and acoustic guitar that would feel at home in a neo-folk song over a pre-programmed drum beat with sounds that at times are either a light squall of guitar feedback and electronic noises. The song has this haunting and unsettling feeling to it, despite sounding like it's trying to be upbeat. I'd say art doesn't always have to be a pleasant experience, but "I got the fear" can be a pleasant listening experience, except for the times it's not. Mackenzie Scott says of her latest single: “A collective dread has been mounting. Everyone I know is having a brawl with the universe, with themselves…wars, climate catastrophe, a pandemic, the worldwide regression on human rights, the political hellscape — it affects everybody, and I know we’re all feeling it in waves of varying degree all the time. I think it’s...
