Jon Chesbro - "One Last Dance"

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Photo by Zach Habernen of PostFix Media

Last time we heard from Maine's Jon Chesbro was back in May with "Choices." With his latest single, the psych-pop artist dives much deeper into the psychedelic side of that equation. "One Last Dance" is still primarily a singer-songwriter track, but this new one is much trippier than the one that came previously. As soon as the guitar kicks in, you start to know what you're in for. It's a very plaintive sounding track, which you don't typically get with anything even remotely psychedelic, although the song does get more uplifting as it goes on. "One Last Dance" ends in this absolutely epic guitar solo that demands repeat listens, and ups the mind-altering factor exponentially. 

Jon Chesbro says of his latest single:

“This song is about the final moment you have before the world ends. You find yourself working for a job you hate, paying taxes for stuff you don’t want, and you really don't ever enjoy yourself or your relationships. You're too busy trying to be something you're not. Right when you see the final nuclear blast you realize you have ‘One Last Dance’ with the one you love. You take in that moment and savor it – and that’s the last thing you feel before being erased from the Earth.” 

You can listen to "One Last Dance" below. For more on Jon Chesbro, check out the artist on Instagram and Facebook. 

On Repeat...

Liam Kazar - "Shoes Too Tight"

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Photo by Alexa Viscius This may be Liam Kazar's debut single, but the Chicago based musician already has an impressive resume, having worked with Jeff Tweedy, Chance the Rapper, Steve Gunn, Daniel Johnston, and others. "Shoes Too Tight" features childhood friend Spencer Tweedy on drums, Lane Beckstrom on bass, and Ohmme on vocals. It's an absurdly fun and groovy little song that is a party waiting to happen. What he gives us here is a timeless song that could truly have been released any time since the 1960's (ok... maybe not the 80's...) There are elements of classic rock, 60's crooners and R&B, indie rock, modern Americana... it's really just packed with everything in a cohesive song that maintains the vibe the entire way through. You can watch the video for "Shoes Too Tight" below. For more on Liam Kazar, check him out on Instagram and Twitter . He's also raising money on his Bandcamp for Constellation and The Hungry Brain. ...
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The Freqs - "Witch"

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Photo via Facebook When you're a rock band from Salem, MA, you have to have at least one song about witchcraft. The Freqs have fulfilled their obligation with a banger of a song. "Witch" is this giant monster of a song, filled with fuzz and strained, screaming vocals. This is the type of song that doesn't usually exist in this century. It's giving me some serious 90's flashbacks, like if Hum got aggressive or Alice in Chains decided to do some damage on the college charts. As great as the vocals are in "Witch," what's really drawing me in is the instrumental break down that takes over about halfway through. This is the kind of song to make the hipsters and the headbangers equally excited. You can listen to "Witch" below. For more on The Freqs, check out the band on Facebook and Instagram . The Freqs · Witch
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Live Shows: Walter Sickert & The Army of Broken Toys, Eight Foot Manchild, and Lovina Falls, The Sinclair, Cambridge, MA 7/12/25

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One of my favorite things is going to see a diverse live bill. Anyone can put together a show with three pop punk bands on it, but it's a challenge (and far more interesting) to put three unique bands on the same show and have it work out perfectly. Saturday night at The Sinclair saw the steamcrunk of Walter Sickert & The Army of Broken Toys, doombrass heroes Eight Foot Manchild, and the baroque pop of Lovina Falls, and it was perfect. Opening the show was Lovina Falls, the current musical project of Valerie Forgione of Mistle Thrush. This was my third or fourth time seeing them in just a few months, and I'm still entertained every time. It's been interesting to watch Lovina Falls adjust and discover their sound over the past two or so years, and I think they've nailed their current sound down. It's an engaging blend of the baroque pop they started out with mixed with a more rock based sound. Songs like "Ellery Way" and "Vaulted" continue to ...
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